
April 6, 2022
Over the past month, singer Ed Sheeran has been battling a copyright trial, accusing him of plagiarizing his 2017 hit song, “Shape of You” the song’s resemblance to their song, “Oh Why” Sami Chokri...
Read more
April 5, 2022
If you’ve been on social media for the past few months, odds are you’ve probably heard of the iconic viral hit, “Leave The Door Open” by Silk Sonic on just about every corner of the internet.
Read more
April 2, 2022
Debut: April 2022 After having competed on the reality survival show, “My Teenage Girl”, the seven-member group CLASS:y was formed, signing a seven-year contract with label, M25. The group was...
Read more
April 1, 2022
Queendom returned for its long awaited second season (hosted by Girls Generation’s Tayeon) and here’s all you need to know: Queendom is a South Korean reality-survival show in which six girl groups...
Read more
April 7, 2022
Bobby Shmurda has finally been released from his deal with Epic Records following his own plea for his release on social media stating, “I did six years in jail trying to get off this label before...
Read more
April 5, 2022
Alas, BIGBANG have finally made their long-awaited return to the spotlight with their new single, “Still Life” – a heartfelt ballad about the perils of growing up and learning from your past. As...
Read more
April 5, 2022
Last week, Louisville heartthrob Jack Harlow dropped a 13 second snippet of a new song he’d been working on that samples Fergie’s hit, “Glamorous” and it immediately went viral on TikTok within...
Read more
March 18, 2022
After month’s of anticipation Japanese Girl group XGalX debute with new single “Tippy Toes”. The group consists of 7 young empowered women named Jurin, Harvey, Hinata, Chisa, Maya, Juria and Co...
Read more
March 29, 2022
Newly heartbroken singer Shawn Mendez performs his new song “When you’re gone” at South by Southwest. This is the debut song that came out after his break up with fellow singer Camila Cabello after...
Read more
March 16, 2022
Whether you’ve been a fan of Kanye West from the start, or you’ve recently watched his Netflix trilogy “Jeen-Yuhs”, you’ve probably heard his of first breakout single into the rap industry “Through...
Read more
March 10, 2022
Weeekly pivots away from their bubbly and upbeat sound and makes a major transformation in their edgy and ambitious first mini album, “Play Game: Awake”.“Play Game: Awake” marks Weeekly’s fourth...
Read more
March 10, 2022
Dare I say its, EXTRAODDINARY?Stray Kids have returned with the release of their new mini-album, ODDINARY – a collection of seven songs that proclaim the message of embracing all of the things...
Read more.png)
Photo Source: Spotify
Spotify's upcoming overhaul of its royalties model marks a significant shift in the way the streaming giant compensates artists, aiming to funnel more earnings towards more popular artists, labels, and distributors while taking a firm stance against streaming fraud. This new model, detailed by Billboard, incorporates several key changes that could significantly impact the music industry landscape.
Under the new system, tracks need to surpass a streaming threshold of 1,000 plays within a 12-month period to qualify for royalties. This move is designed to ensure that only tracks that achieve a minimal level of listener engagement contribute to and benefit from the royalty pool. Spotify's intention here is to redistribute royalties from less popular tracks to those that meet this threshold, potentially increasing earnings for artists and labels whose music consistently attracts listeners.
Spotify will introduce penalties for fraudulent streaming activity, charging labels and distributors 10 euros for each track that has 90% or more of its streams identified as fraudulent. This measure targets the manipulation of streaming numbers, a practice that undermines the fairness and integrity of royalty distribution. By imposing financial penalties, Spotify aims to deter fraudulent activities and ensure a more equitable distribution of royalties.
The platform is also setting a minimum play-time length for non-music noise tracks to qualify for royalties. These tracks must now be at least two minutes long, and each play will count as one-fifth of a music track's stream. This adjustment addresses the issue of short, non-musical tracks being used to game the system, ensuring that royalties are more accurately allocated to musical content that meets a standard of listener engagement.
The new model is expected to affect more than two-thirds of Spotify's song catalog, primarily due to the vast amount of music uploaded that fails to attract significant listening. However, the redistribution of royalties is anticipated to shift only about 0.5% of Spotify's royalty pool towards more popular tracks. While this might seem minor, it represents a substantial amount in terms of actual dollars, potentially increasing earnings for artists and labels with higher streaming numbers.
The music industry has largely welcomed these changes, recognizing the potential to curb streaming fraud and more fairly compensate artists and rights holders. However, concerns have been raised, especially within the independent distribution sector, about the potential for the anti-fraud measures to disproportionately affect small-scale distributors. These entities, often operating with thin margins and charging per upload, may find it challenging to monitor and prevent fraudulent streaming activities among their clients.
Philip Kaplan, founder of DistroKid, has publicly objected to the penalty system, highlighting the difficulty in predicting whether a new client will engage in stream manipulation. This underscores the broader industry challenge of balancing the need to combat fraud with the risk of inadvertently penalizing legitimate distributors and artists.
As Spotify prepares to implement these changes in early 2024, the music community watches closely. While songwriters are not affected by the current iteration of the model, the evolving nature of streaming royalties suggests that ongoing adjustments may be necessary to address emerging challenges and ensure fair compensation for all music creators.
In summary, Spotify's new royalties model represents a thoughtful attempt to refine how streaming revenue is distributed, prioritizing engagement and authenticity over sheer volume. However, its true impact will depend on the effectiveness of its implementation and the industry's ability to adapt to these changes.