April 6, 2022
Over the past month, singer Ed Sheeran has been battling a copyright trial, accusing him of plagiarizing his 2017 hit song, “Shape of You” the song’s resemblance to their song, “Oh Why” Sami Chokri...
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April 5, 2022
If you’ve been on social media for the past few months, odds are you’ve probably heard of the iconic viral hit, “Leave The Door Open” by Silk Sonic on just about every corner of the internet.
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April 2, 2022
Debut: April 2022 After having competed on the reality survival show, “My Teenage Girl”, the seven-member group CLASS:y was formed, signing a seven-year contract with label, M25. The group was...
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April 1, 2022
Queendom returned for its long awaited second season (hosted by Girls Generation’s Tayeon) and here’s all you need to know: Queendom is a South Korean reality-survival show in which six girl groups...
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April 7, 2022
Bobby Shmurda has finally been released from his deal with Epic Records following his own plea for his release on social media stating, “I did six years in jail trying to get off this label before...
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April 5, 2022
Alas, BIGBANG have finally made their long-awaited return to the spotlight with their new single, “Still Life” – a heartfelt ballad about the perils of growing up and learning from your past. As...
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April 5, 2022
Last week, Louisville heartthrob Jack Harlow dropped a 13 second snippet of a new song he’d been working on that samples Fergie’s hit, “Glamorous” and it immediately went viral on TikTok within...
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March 18, 2022
After month’s of anticipation Japanese Girl group XGalX debute with new single “Tippy Toes”. The group consists of 7 young empowered women named Jurin, Harvey, Hinata, Chisa, Maya, Juria and Co...
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March 29, 2022
Newly heartbroken singer Shawn Mendez performs his new song “When you’re gone” at South by Southwest. This is the debut song that came out after his break up with fellow singer Camila Cabello after...
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March 16, 2022
Whether you’ve been a fan of Kanye West from the start, or you’ve recently watched his Netflix trilogy “Jeen-Yuhs”, you’ve probably heard his of first breakout single into the rap industry “Through...
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March 10, 2022
Weeekly pivots away from their bubbly and upbeat sound and makes a major transformation in their edgy and ambitious first mini album, “Play Game: Awake”.“Play Game: Awake” marks Weeekly’s fourth...
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March 10, 2022
Dare I say its, EXTRAODDINARY?Stray Kids have returned with the release of their new mini-album, ODDINARY – a collection of seven songs that proclaim the message of embracing all of the things...
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Former Little Mix star Jade Thirlwall isn't mincing words about artists who avoid political engagement, specifically calling out The 1975's Matty Healy for what she sees as a privileged stance. In a candid Guardian interview, the solo artist argued that pop stars have a responsibility to address social issues, a sharp contrast to Healy's recent Glastonbury declaration that music should prioritize "love and friendship" over politics.
Thirlwall, who has vocally supported LGBTQ+ rights and Palestinian causes, dismissed Healy's apolitical approach:
"It's very easy for someone who's white and straight and very privileged to say that. Good for you, hun!" Her comments reference Healy's June 2025 Glastonbury performance where the rocker stated: "We don't need more politics. We need more love."
The criticism comes as Thirlwall prepares to release her debut solo album That's Showbiz Baby! on September 12 a project she says finally lets her speak unfiltered truths. One track, "IT girl," directly addresses the restrictions she faced in Little Mix:
"Those are my experiences, and now that I'm on my own, there's nothing holding me back."
The clash between Thirlwall’s activism and Healy’s "good vibes" philosophy exposes a generational fault line in pop culture. Where artists like Jade use their platforms to amplify Palestinian voices and LGBTQ+ rights, others retreat into what she calls the "privilege" of neutrality, a tension magnified as global crises demand accountability. Her willingness to critique peers like Healy by name (a rarity in the industry) turns personal conviction into a public litmus test for artistic responsibility.
The debate highlights growing tension in pop culture between artists who view their platforms as megaphones for change and those who prioritize escapism. Thirlwall's outspokenness particularly about Palestine contrasts sharply with many peers' silence, making her critique of Healy particularly pointed. In an industry often criticized for performative activism, Thirlwall's willingness to name names sets her apart while ensuring her solo debut will be as discussed for its politics as its melodies.
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