
August 19, 2022
Snapchat has recently announced Snapchat Sounds Creator Fund, a monthly grant program of up to $100,000 awarded to independent artists distributing music on the platform...
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August 15, 2022
Over the past few years, TikTok’s popularity has significantly increased resulting in 1 billion global daily users by early 2022. The app has also become extremely influential in the current music....
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August 4, 2022
Charlie Puth has paired with Studio to create a 30-day online course that outlines the entire songwriting and production process for $279 USD. This hands-on learning experience has been marketed....
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August 2, 2022
Whether you know Lexie Liu from her performance as Seraphine in K/DA’s “MORE” or her fourth-place finish on The Rap of China 2018, there’s no denying that the Chinese hip hop star is a global ...
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June 17, 2022
BTS is the most famous K-Pop band in the world now, and recently, they were invited to the white house to speak about anti-Asian hate crimes and inclusivity. Being the first K-Pop band to be...
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June 6, 2022
SEVENTEEN (세븐틴) is a 13 member Korean boy band under Pledis Entertainment. They are split into 3 teams, the Hip Hop unit (S.coups, Wonwoo, Mingyu, Vernon), the Vocal unit (Jeonghan, Joshua, Woozi...
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June 3, 2022
On May 20, Harry Styles released his new album Harry’s House, debuting at number one on the Billboard 200 albums chart. This is his third studio album in which all thirteen songs are in the top 30...
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May 26, 2022
The Song House is a songwriter house in Nashville, Tennessee where all levels of writers and artists come together to develop music. Every week, 12-15 songwriters are challenged to write a hook in...
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May 27, 2022
It’s been one year since the young pop-star, Olivia Rodrigo, released her first music album “Sour”. Since her debut, Olivia Rodrigo has won 3 Grammy Awards and named Women of the Year in 2022.
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March 31, 2022
After a cancelled performance at the Asuncionico festival in Paraguay Doja cat received backlash from fans claiming the singer neglected them outside of her hotel. After the many complaints from...
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April 11, 2022
After a long 4 year’s K-pop group Big Bang makes a comeback to the music scene with the song “Still Life.” This song has become another banger from the group reminding fans of the music they once...
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April 6, 2022
The first theatre production highlighting the global takeover of the K-Pop industry will be making its Broadway debut later this year, with its opening night scheduled for November 20, while...
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The music world is buzzing after Drake publicly accused Universal Music Group (UMG) of using bots to inflate the popularity of Kendrick Lamar’s latest diss track. Known for his own sharp lyrics and chart-topping hits, Drake’s claim has added fuel to the ongoing rivalry between the two rap giants while shining a spotlight on questionable industry practices.
Drake’s allegation stems from what he described as "unnatural" spikes in streaming numbers and social media engagement for Kendrick’s diss track. During a recent interview, Drake didn’t hold back, suggesting that Universal is artificially inflating metrics to make the track seem more impactful than it might be organically.
"They’re boosting streams with bots," Drake reportedly said. "It’s not real. The fans know the difference."
This accusation directly challenges the integrity of both Kendrick’s release and Universal’s promotional strategies, intensifying the existing tension between the two artists and their respective camps.
Drake’s accusations highlight a growing problem in the music industry: the use of bots to inflate streams, likes, and engagement. In an age where numbers often dictate success—impacting chart rankings, payouts, and public perception—labels have a strong incentive to manipulate metrics to their advantage.
Bots can generate millions of fake streams, skewing the data to make a track appear more successful than it actually is. This practice not only misleads fans but also creates an uneven playing field for independent artists who rely on genuine engagement to build their careers.
For Kendrick Lamar, whose reputation is built on lyrical depth and authenticity, these allegations could pose a challenge. If UMG is indeed using bots to promote his diss track, it risks overshadowing his artistry and the powerful message behind the music.
Kendrick has yet to comment on Drake’s claims, but the controversy raises important questions about how much control artists have over the marketing tactics employed by their labels. While Kendrick’s talent and influence remain undeniable, the involvement of bots could diminish the organic impact of his work.
Drake’s accusations bring up the need for greater transparency and accountability in the music industry. Streaming platforms and social media companies must implement stricter measures to detect and prevent bot activity. Labels, too, must prioritize ethical practices, ensuring that their promotional efforts don’t undermine the credibility of their artists.
This situation also highlights the importance of fans in shaping the narrative. By staying informed and questioning suspicious trends, fans can hold labels accountable and demand authenticity in the music they consume.
Drake’s accusation against Universal has added a new layer to his long-standing rivalry with Kendrick Lamar. While the two have often been compared as leading voices in hip-hop, this latest incident has reignited debates among their fanbases and across the industry.
As the controversy unfolds, one thing is certain: the conversation about bots, transparency, and fairness in music promotion isn’t going away anytime soon. For now, fans are left to wonder whether the success of Kendrick’s diss track is entirely earned—or if it’s been given a digital boost.
Whatever the outcome, this incident serves as a reminder of the evolving challenges artists face in an industry increasingly driven by data and algorithms, rather than pure talent and connection.