
January 6, 2022
Drake's ghostwriter controversy has been a topic of conversation since the rapper's feud with Meek Mill in 2015. Quentin Miller, a lesser-known rapper from Atlanta, was named as the ghostwriter....
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December 28, 2022
Many artists are using their personal brand and influence to educate artists, from beginners to fellow professionals. Timbaland has partnered with Masterclass to teach musicians how to make unique...
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December 7, 2022
Rina Sawayama has burst into the consciousness of queer music listeners in recent years. My first time listening to her work was Cherry, a track that is bubbly ...
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October 4, 2022
In the wake of Tiktok’s rapid expansion and growing dominance in the short-form video market, YouTube has felt the pressure to adapt to keep up with the shifting demands of its audience...
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October 5, 2022
Conan Gray is an American YouTuber turned singer-songwriter, most well-known for his songs about heartbreak and unrequited love. Throughout his career, Conan has written songs like “Crush Culture”...
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October 17, 2022
Phoebe Bridgers is an American songwriter, singer, and producer who has, in recent years, gained mainstream recognition with the release of her sophomore album “Punisher” in 2020...
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October 18, 2022
Steve Lacy is a singer, songwriter, record producer, and living proof that you don’t need the most advanced or high-tech studio equipment to create music that listeners will love...
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August 31, 2022
For the last two years, there has been something missing in the lives of music lovers around the world—live music. The advent of a global pandemic meant the absence of concerts, festivals........
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August 19, 2022
One of the biggest questions many spaces face today is how blockchain technology may overhaul industry norms, and the music industry is no exception. In particular...
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August 19, 2022
Snapchat has recently announced Snapchat Sounds Creator Fund, a monthly grant program of up to $100,000 awarded to independent artists distributing music on the platform...
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August 15, 2022
Over the past few years, TikTok’s popularity has significantly increased resulting in 1 billion global daily users by early 2022. The app has also become extremely influential in the current music....
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August 4, 2022
Charlie Puth has paired with Studio to create a 30-day online course that outlines the entire songwriting and production process for $279 USD. This hands-on learning experience has been marketed....
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Something interesting is happening in music right now. Artists don’t really disappear anymore. They just… pause.
Then suddenly they’re back, and somehow bigger than before.
A lot of this comes down to how people actually listen to music today. Platforms like Spotify and TikTok don’t care when a song comes out. If it fits a moment, it gets pushed. That’s why songs from years ago randomly start trending again, like they were just released yesterday.
And this isn’t just a theory, it’s literally shaping the industry right now. Recent reports show streaming platforms are paying out more than ever, with over $11 billion going back into music in 2025 alone. At the same time, older songs and albums are driving a huge portion of that engagement, not just new releases.
Even outside of streaming, the same pattern is showing up. Vinyl sales just hit levels we haven’t seen since the 1980s, and a lot of that demand is coming from older or re-released music, not just brand new albums.
So when a song comes back, artists have a choice. Ignore it, or step back in and build on it.
Some are doing it really well.
You’ve got artists like Hilary Duff stepping back into the spotlight after years away, not just for nostalgia, but because there’s actual demand again. At the same time, artists like Mariah Carey are revisiting older projects and giving them a second life through anniversaries and re-releases.
It doesn’t feel forced either. It works because the audience never really left.
What’s changed is how long a song can live. Before streaming, music had a short cycle. You dropped something, promoted it, and then moved on. Now, a track can resurface five or even ten years later and still feel relevant.
That completely changes how artists move.
Instead of treating music like a one-time release, it’s starting to feel more like something that can be reused, reshaped, and reintroduced whenever the timing is right.
Even fans are part of this. People love rediscovering old songs. There’s something about hearing a track you forgot about that hits differently than hearing something brand new.
So comebacks don’t really feel like comebacks anymore. It’s more like artists picking up a conversation that was already happening without them.
This trend completely changes how you should think about your music.
Your songs aren’t just for right now, they’re assets that can come back later.
Instead of chasing constant new releases, artists are starting to think long-term:
→ Build a catalog that can age well
→ Create moments that people want to revisit
→ Don’t rush past older projects, they still have value
Because in today’s industry, a song doesn’t die… it just waits for the right moment to blow up again.
Music is no longer linear.
It’s not: drop → promo → move on.
It’s: drop → revive → repackage → rediscover.
And honestly? That changes everything.
The artists winning right now aren’t just the ones making hits, they’re the ones who know how to bring them back.