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Compression for Beatmakers

October 18, 2024

Compression is one of the most crucial tools in any beatmaker's toolkit, shaping the dynamics of your track and helping achieve that punchy, polished sound....

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The Best Beginner-Friendly DAWs for Music Production

October 18, 2024

Getting into music production can be an exciting journey, especially for beginners. With so many digital audio workstations (DAWs) available, it can be overwhelming to choose the right one.

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Top 10 Mixing Mistakes and How to Avoid Them

October 18, 2024

Mixing is an art form that requires not only technical skill but also a keen ear and attention to detail. Many producers and engineers fall into common traps...

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Choosing the Best CPU for Music Production

October 18, 2024

When upgrading your CPU for music production, whether you're composing orchestral scores, producing electronic music, or working with intricate multi-track projects, selecting the right processor...

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How to Create Epic Risers and Transition Effects for Electronic Music

October 11, 2024

Creating epic risers and transition effects is essential for electronic music producers to build tension and anticipation before a drop or shift in their tracks. Here’s how you can do it...

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Automating a Drum Bus in Reaper to Create Dynamic Room Effects

October 6, 2024

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EQ in Practice: How to Use Subtractive EQ to Clean Up Muddy Mixes

October 6, 2024

ixing music is an art, and one of the most essential tools for achieving clarity in a mix is the equalizer (EQ). One technique, in particular, known as subtractive EQ, can work wonders for cleaning...

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How to Manage Static Noise in High Frequencies When Compressing Vocals

October 6, 2024

One common frustration in vocal production, especially for home studio and bedroom producers, is encountering static noise in the high frequencies after compressing and brightening vocals...

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Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

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What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

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Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

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Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

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How Steve Lacy Makes the Most with Less

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Photo: Chugg Entertainment

Does equipment matter when producing bangers– or is it about working with what you have?

Steve Lacy is a singer, songwriter, record producer, and living proof that you don’t need the most advanced or high-tech studio equipment to create music that listeners will love. With something as simple as the GarageBand app on his iPhone, the “Dark Red” artist was able to gain recognition in the music industry. During his TEDxTeen talk, Lacy expressed that he always wanted a MacBook Pro since that’s what his friends used to create art. He never got that MacBook, however. Instead, Lacy created beats with an iPod. “With this [iPod], I’ve got these apps and I’m just exploring this world of sound with this little device in my pocket - and I realized that I didn’t necessarily need what I thought I did,” he said.

Lacy was able to gain traction as the guitarist of The Internet, an Alternative R&B band from LA. One of their songs titled “Curse”, created via GarageBand, was the demo that would go on to lead the then high-schooler into a Grammy nomination. From there, he continued creating music not necessarily having any idea what it was for– “it just felt right”, he said during the talk. He wasn’t even aware that he was producing an album, he was just laying down ideas that he had heard in his head with his friends. This first body of work opened the doors of opportunity for him to work with more people like J. Cole and Kendrick Lamar– all just from his iPhone.

According to a Wired feature on YouTube, Lacy records all of his music on his phone. He’s used lots of apps before but GarageBand is his favourite, according to the Wired video. He would start off with a simple drum loop, and then he plugs his guitar into his iPhone using an iRig cable. After, he adds his vocals– Lacy prefers singing straight into the iPhone’s mic, holding a pop filter and getting right up close. As he works, he just stacks the tracks one-by-one in GarageBand.

“I like to, you know, make wherever I am”, he said in the Wired video.

Besides Lacy, other legendary musicians such as Rihanna, and electronic music duo, Justice, have released masterpieces using GarageBand. Rihanna’s 2007 hit “Umbrella” uses a drum loop that you can find if you search for the “Vintage Funk Kit 03” sample on the app. Justice’s 2007 album “Cross” was produced using the Apple app.

GarageBand and other alternative apps like Logic Pro (Apple), Groovepad (Android), Audacity (Windows, Linux, Mac), Adobe Audition (Windows & Mac), etc. are powerful, yet accessible tools available to new-age artists to create music on. Furthermore, with the emergence of the Information Age, a simple internet search can help young artists get their foot in the door of the music industry.