
April 6, 2022
Over the past month, singer Ed Sheeran has been battling a copyright trial, accusing him of plagiarizing his 2017 hit song, “Shape of You” the song’s resemblance to their song, “Oh Why” Sami Chokri...
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April 5, 2022
If you’ve been on social media for the past few months, odds are you’ve probably heard of the iconic viral hit, “Leave The Door Open” by Silk Sonic on just about every corner of the internet.
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April 2, 2022
Debut: April 2022 After having competed on the reality survival show, “My Teenage Girl”, the seven-member group CLASS:y was formed, signing a seven-year contract with label, M25. The group was...
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April 1, 2022
Queendom returned for its long awaited second season (hosted by Girls Generation’s Tayeon) and here’s all you need to know: Queendom is a South Korean reality-survival show in which six girl groups...
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April 7, 2022
Bobby Shmurda has finally been released from his deal with Epic Records following his own plea for his release on social media stating, “I did six years in jail trying to get off this label before...
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April 5, 2022
Alas, BIGBANG have finally made their long-awaited return to the spotlight with their new single, “Still Life” – a heartfelt ballad about the perils of growing up and learning from your past. As...
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April 5, 2022
Last week, Louisville heartthrob Jack Harlow dropped a 13 second snippet of a new song he’d been working on that samples Fergie’s hit, “Glamorous” and it immediately went viral on TikTok within...
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March 18, 2022
After month’s of anticipation Japanese Girl group XGalX debute with new single “Tippy Toes”. The group consists of 7 young empowered women named Jurin, Harvey, Hinata, Chisa, Maya, Juria and Co...
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March 29, 2022
Newly heartbroken singer Shawn Mendez performs his new song “When you’re gone” at South by Southwest. This is the debut song that came out after his break up with fellow singer Camila Cabello after...
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March 16, 2022
Whether you’ve been a fan of Kanye West from the start, or you’ve recently watched his Netflix trilogy “Jeen-Yuhs”, you’ve probably heard his of first breakout single into the rap industry “Through...
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March 10, 2022
Weeekly pivots away from their bubbly and upbeat sound and makes a major transformation in their edgy and ambitious first mini album, “Play Game: Awake”.“Play Game: Awake” marks Weeekly’s fourth...
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March 10, 2022
Dare I say its, EXTRAODDINARY?Stray Kids have returned with the release of their new mini-album, ODDINARY – a collection of seven songs that proclaim the message of embracing all of the things...
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In an era where music and visuals are inextricably linked, one name continues to shape the language of modern music videos: Dave Meyers. With a career that spans over three decades, director Dave Meyers has built an unparalleled legacy in the world of music videos. Renowned for his surrealist flair, hyper-stylized visuals, and deep understanding of musical narrative, Meyers has crafted more than 200 music videos, shaping the cultural landscape of multiple genres—hip-hop, pop, R&B, and more recently, K-pop.
Meyers is more than a director. He’s a visual architect—turning rhythm into frames and verses into motion. From winning a Grammy for Missy Elliott’s “Lose Control” to delivering Kendrick Lamar’s tour de force “HUMBLE.”, Meyers doesn’t just follow trends—he defines them.Meyers has become the go-to director for artists seeking more than a promotional clip—he crafts cinematic worlds that deepen the listener’s connection to a song.
Meyers’ signature style combines bold visuals, metaphor-rich storytelling, and technical innovation. His videos often blur the lines between surrealism and social commentary, choreography and chaos, intimacy and grandeur. Most recently, Meyers returned to global conversation with the release of BLACKPINK’s “Jump”, proving once again that he remains one of the most compelling visual storytellers in music.
From underground rap anthems to global pop blockbusters, Dave Meyers has remained at the creative forefront, never afraid to push boundaries or reinvent his aesthetic. His work is both technically inventive and emotionally rich, earning him a place among the greatest visual storytellers in music history.
Even today, he continues to surprise and evolve—working across film, streaming, and digital campaigns. Whether directing a gritty hip-hop saga or a surreal pop dreamscape, Meyers makes one thing clear: music may speak, but visuals can roar.
Here are five of Dave Meyers’ most defining works, each demonstrating his unmatched ability to translate sound into spectacle.
Reuniting with the world’s biggest girl group, Meyers delivered a kinetic visual companion to BLACKPINK’s powerful return single. “Jump” is a tour de force of futuristic production, cinematic pacing, and cultural scale, designed to accompany the opening leg of their Deadline World Tour.
In Meyers’ hands, the video becomes more than a performance—it’s a world unto itself. Stylized lighting, cyberpunk-infused aesthetics, and perfectly choreographed cuts amplify the track’s energy while preserving the individual personas of Jisoo, Jennie, Rosé, and Lisa. It’s both intimate and colossal—a signature Meyers balance that turns a pop song into a visual blockbuster.
Widely regarded as one of the most impactful music videos of the last decade, “HUMBLE.” cemented Meyers’ ability to embed sharp cultural critique into stunning visual design. Partnering with Kendrick Lamar, Meyers crafted arresting imagery: Lamar dressed as the Pope, the camera whirling in religious symmetry, and fire-lit confessionals, identity politics, and the hip-hop ego on its head—literally.
The video became a cultural phenomenon, winning multiple awards and ushering in a new golden age of concept-driven rap visuals.
“He gave me a rocket ship,” Meyers said of Lamar’s trust in the project. And the launch was global.
From the burnt heads to the reimagined Last Supper, every frame is meticulously composed and charged with meaning. The video earned widespread critical acclaim and won a Grammy for Best Music Video, solidifying Meyers and Lamar as one of the most powerful artist-director duos of their time.
Raised in the progressive and art-fueled environment of Berkeley, California, Meyers credits his surroundings with expanding his creative lens. His passion for film began young—sparked by Star Wars and Raiders of the Lost Ark—but it was music videos where he found his voice. His early career saw him directing videos for artists like Jay-Z, Eve, and DMX, each project sharpening his style: gritty, ambitious, and emotionally resonant.
Over the years, Meyers has embraced larger-than-life production, symbolism, and emotion. He treats each video like a short film, merging world-building with precise storytelling—often blurring the lines between cinema and music.
A delicate comeback following tragedy, Ariana Grande’s “No Tears Left to Cry” required a director who could balance vulnerability with strength. Meyers met the moment with a video that literally reorients reality. Through rotating hallways, upside-down cityscapes, and dreamlike set design, the video reflects Grande’s emotional dislocation while pointing toward healing.
Technically ambitious and emotionally resonant, the video redefined Grande’s visual identity. It’s a testament to Meyers’ ability to align a song’s sonic tone with its narrative arc—and elevate it into something multidimensional.
Equal parts chaotic and controlled, “Bad Guy” is a masterclass in postmodern pop aesthetics. Meyers embraced Billie Eilish’s eccentricity with a series of absurdist, nonlinear visuals that mirror the track’s experimental sound. Vivid color palettes, erratic edits, and satirical undertones come together in a piece that’s as unconventional as the artist herself.
It’s a striking example of Meyers’ range—his ability to pivot from socially charged visuals to playful irreverence, all while maintaining a distinct directorial fingerprint. For Billie, the video was instrumental in shaping her early visual identity.
Dave Meyers’ career is built on reinvention. Whether working with legacy acts like Missy Elliott or next-generation icons like BLACKPINK and Billie Eilish, his approach is rooted in deep artistic interpretation. He listens not just for lyrics, but for mood, movement, and meaning—and uses the lens to make the music speak louder.
In an age of algorithm-driven content and formulaic visuals, Meyers continues to raise the bar, reminding us that the best music videos aren’t just promotional tools—they're short films, visual essays, and emotional portals. And as “Jump” proves, Dave Meyers isn’t done shaping the future of music’s visual landscape. He’s just evolving with it.
Created for Black Panther, this collaboration merged Afrofuturism with mythological symbolism. The video’s stunning visuals—celestial oceans, galaxy walks, and cultural homages—made it a masterclass in world-building. It also reflected Meyers’ ability to amplify cultural moments through visual poetry.
Long before digital artistry dominated the industry, Meyers and Missy Elliott were pioneering visual innovation in hip-hop. “Lose Control” is a hyperkinetic celebration of rhythm, movement, and futuristic visuals. It’s a dance-heavy spectacle that moves with the speed of the beat—each frame echoing Missy’s boundary-pushing ethos.
What’s most impressive is the synergy: Meyers doesn’t just match the song—he expands it. Through rapid camera motion, surreal set design, and sharp editing, “Lose Control” became one of the most influential hip-hop videos of the 2000s, showcasing the possibilities of music video as both entertainment and art.