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Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

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GarageBand Hacks: Creating Professional-Sounding Tracks Without Expensive Plugins

October 1, 2024

GarageBand is often seen as an entry-level DAW (Digital Audio Workstation), but it has powerful tools that, when used effectively, can create professional-quality tracks. Many indie musicians and...

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Solving the General MIDI Program Change Dilemma in Ableton

October 1, 2024

When working with MIDI in Ableton, one might notice that although MIDI clips can send program changes, most of Ableton's native plugins don’t seem to respond to these changes effectively. This can...

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Escaping 'Tutorial Hell': Stay Motivated and Actually Progress in Music Production

September 21, 2024

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Should You Write Music or Lyrics First? Solutions from Famous Creators

September 20, 2024

One of the most common challenges for songwriters is deciding whether to write the music or lyrics first. This can feel like a "chicken-or-egg" situation, but there's no one-size-fits-all answer...

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How to Plan the Perfect Release Day for Your Single or Album

September 20, 2024

Releasing a new single or album is a huge milestone for any musician. However, without proper planning, your work may not get the attention it deserves. It’s not just about putting the song online...

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Mastering the Low End: Compression Tips for a Tight Mix

September 20, 2024

When it comes to music production, getting the low end right can be tricky. Many producers face a common issue: after the initial mix sounds perfect, a few days later, the low end starts to feel...

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How to Turn a Bedroom into a Professional Home Studio on a Budget

September 19, 2024

For many aspiring musicians, the dream of creating a professional-quality home studio seems out of reach due to costs and space constraints. However, with the right strategies and tools, it's...

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Remote Music Collaboration: Tools and Tips for Seamless Production

September 18, 2024

Collaborating on music remotely has become more common, but as you’ve experienced, it can be a challenge to get it right. Audio latency, control sensitivity, and lack of real-time feedback are...

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How to Build a Loyal Fanbase Using Social Media in 2024

September 18, 2024

In today’s digital age, building a loyal fanbase is essential for musicians to thrive. Social media platforms have become powerful tools for connecting directly with fans, sharing music, and...

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Best Apps and Websites for Creating Instrumentals When You Don’t Play Instruments

September 18, 2024

As a songwriter, it can be frustrating to have melodies or lyrics in your head but no way to bring them to life without instrumental skills. Thankfully, with modern technology, there are apps and...

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How to Match Chords to Your Singing – Overcoming the Struggle

September 18, 2024

Creating music often feels like an intricate puzzle. You might have a melody that you love, but when it comes to pairing it with chords, you feel stuck. If you're in this situation, you're not alone.

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Supergroup Boygenius Caps Off Recent Success with EP ‘The Rest’

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Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks. This comes off the tail-end of the massive success that was their first full length album, “The Record”, and deliberately follows the same themes of struggling relationships and accepting one’s imperfect self. 

With returning collaborators such as Ethan Gruska and Marshall Vore, the integrity of their gritty production sound remains intact, notably granting equal voice and opportunity for each member to shine. The opening track, ‘Black Hole’, offers a solo Julien Baker who paints a picture of being alone on a dark night before she’s followed up with vocal harmonies Bridgers and Dacus. 

The baton is then passed to Lucy Dacus on ‘Afraid of Heights’, where she contemplates taking risks and encountering this in a relationship: “I Know you wanted me to take a risk / Not everybody gets the chance to live a life that isn’t dangerous”. Here, Dacus not only provides solace for people who value a comfortable life, but she criticizes people who glorify a life of senseless thrills and risks for the very sake of danger while others may be forced to live in such reality. And for artists who have such a large platform, I commend them for writing lyrical content that drives listeners to question and reflect on their values while also allowing them to relate to the music.