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Miley Cyrus performs an acoustic rendition of "Flowers" in her new EP.Spotify just gave Miley Cyrus fans the ultimate gift. The streaming platform has released...
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Olivia Rodrigo and Gracie Abrams are using their massive platforms to amplify the voices of those suffering in Gaza, where children are facing severe malnutrition due to the prolonged Israel-Hamas...
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Following the news of Ozzy Osbourne’s passing, Canadian musicians have come forward with emotional tributes to the legendary "Prince of Darkness." Known for his pioneering work with Black Sabbath...
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After famously holding a "funeral" for her pop sound in 2022, Demi Lovato is officially resurrecting her mainstream roots—with a pulsating dance-pop album that promises to be her "most celebratory"...
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A 35-year-old Canadian woman has died after falling ill during the opening day of Tomorrowland 2025 in Boom, Belgium. The festival, already reeling from a massive main stage fire just days before...
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Consider Billie Eilish as a synthetic voice rather than the genuine one. Spotify recently entered the world of Velvet Sundown, a full AI project including music, graphics, and an algorithmically...
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The legendary band that soundtracked a generation has officially handed over the keysThere are bands that make hits, and then there are bands that change the fabric of music forever. Pink Floyd has...
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When five women did what decades of politics couldn’t, bring two Koreas a little closerThere’s performing for fans, then there’s performing for history.In 2018, Red Velvet, one of K-pop’s most...
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Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks. This comes off the tail-end of the massive success that was their first full length album, “The Record”, and deliberately follows the same themes of struggling relationships and accepting one’s imperfect self.
With returning collaborators such as Ethan Gruska and Marshall Vore, the integrity of their gritty production sound remains intact, notably granting equal voice and opportunity for each member to shine. The opening track, ‘Black Hole’, offers a solo Julien Baker who paints a picture of being alone on a dark night before she’s followed up with vocal harmonies Bridgers and Dacus.
The baton is then passed to Lucy Dacus on ‘Afraid of Heights’, where she contemplates taking risks and encountering this in a relationship: “I Know you wanted me to take a risk / Not everybody gets the chance to live a life that isn’t dangerous”. Here, Dacus not only provides solace for people who value a comfortable life, but she criticizes people who glorify a life of senseless thrills and risks for the very sake of danger while others may be forced to live in such reality. And for artists who have such a large platform, I commend them for writing lyrical content that drives listeners to question and reflect on their values while also allowing them to relate to the music.