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K-Pop Demon Hunters soundtrack dominates UK charts as Ozzy Osbourne tributes surge

July 30, 2025

In a surprising twist, the Demon Hunter K-pop soundtrack has claimed the top spot on the UK charts, reflecting the growing influence of the genre beyond its South Korean origins. Meanwhile, the...

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Viral Throwback: Connie Francis’s 1962 Song “Pretty Little Baby” Is TikTok’s Unexpected Anthem

July 30, 2025

This week's noteworthy tale: The 1962 B-side song "Pretty Little Baby," a decades-old deep cut by pop icon Connie Francis, has gone viral on TikTok, exposing a new generation to a voice from the...

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IVE’s ‘Supernova Love’ Blew Up on TikTok, and Now We’re All Orbiting Their Era

July 30, 2025

You’ve heard it. You’ve seen it. You’ve probably tried (and failed) to hit that head flick without dislocating something. Yes, we’re talking about the “Supernova Love” trend, the latest...

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The Weeknd Is Touring the World] and It’s Giving Apocalypse, But Make It Sexy

July 30, 2025

First, he gave us heartbreak. Then he gave us the high notes. Now, The Weeknd is giving world tour energy and yes, it’s cinematic, chaotic, and somehow still deeply romantic. From House of Balloons...

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Rock Your Body Now’ Is the Song That Walked Into the Party, Took the Aux, and Never Gave It Back

July 30, 2025

There’s always that one song. The one that hits the speakers, and suddenly everyone’s doing choreography they didn’t know they knew. That song, right now, is “Rock Your Body Now.” It didn’t just...

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“Like JENNIE”: The Song That Redefines Cool Without Even Trying

July 30, 2025

When JENNIE released “Like JENNIE,” it wasn’t just a comeback, it was a lesson in effortless power. Soft but sharp, understated but unforgettable, the track doesn’t ask for attention. It just...

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Bryson Tiller Is Outside Again And He’s Bringing the Feels Worldwide

July 30, 2025

He’s mysterious. He’s moody. He disappears for years and then shows up like nothing happened with bangers. Yes, Bryson Tiller is officially on a world tour, and if you’ve ever whispered...

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“California” by the Elevator Boys Is More Than a Summer Hit; It’s a Statement

July 27, 2025

The Elevator Boys, Jacob, Julien, Bene, Tim, and Luis, just dropped “California”, their most personal track to date. They are well-known for their charm and choreography, but this time they..

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‘Preparing for one of the greatest comebacks,’ Fans hype Drake’s new track with Central Cee

July 27, 2025

Drake has done it again, dropping a new track that has sent fans into a frenzy. This time, the Canadian rap icon has teamed up with UK artist Central Cee for a collaboration that blends their...

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Timeless Soundscapes: Moby’s Cross-Generational Collaboration with Øneheart

July 27, 2025

A distinctive new release is bringing people from different generations and places together in a music world that has been altered by technology upheavals and cultural differences. The 59-year-old...

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Tame Impala Releases New Single "End of Summer," Signaling Artistic Evolution

July 27, 2025

The psychedelic music project led by Kevin Parker debuts first track since 2020's The Slow Rush. Australian musician Kevin Parker has unveiled "End of Summer," the first new Tame Impala single in...

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Xiu Xiu Pulls Music from Spotify Over AI Investments; It’s a Bold Stand

July 27, 2025

The experimental rock group Xiu Xiu formally declared that they would be removing their music from Spotify in response to the platform's investment in artificial intelligence (AI)-powered combat...

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Musicians Push Back on Dwindling Payments from Streaming Services

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The rise of streaming platforms has fundamentally reshaped the music industry, offering convenience and accessibility to millions of listeners. However, for many musicians, the rapid growth of services like Spotify, Apple Music, and YouTube has brought with it an unfortunate downside: a significant decline in revenue. As streaming continues to dominate the way people consume music, artists are pushing back against the diminishing payments they receive, calling attention to the unsustainable business model that puts their livelihood at risk.

The Struggle for Fair Compensation

For years, musicians have relied on physical album sales and live performances to generate income. In the streaming era, however, the payment structure has changed, with artists receiving mere fractions of a penny per stream. According to a recent study, the average artist earns just $0.003 per stream on platforms like Spotify. This payment model has sparked frustration among musicians, who argue that the current system is not equitable and disproportionately benefits the platforms and record labels while leaving the artists who create the content struggling to make ends meet.

Tori Amos, a Grammy nominated artist and advocate for musician rights, recently expressed her concerns about the streaming payment structure. “We’re talking about pennies per stream, and it just doesn’t add up. It’s a system that’s broken for those of us who are actually creating the music," Amos said. She, along with other musicians, is pushing for more transparent and fair payment models that better compensate the creators at the heart of the industry.

A Call for Change

The decline in streaming revenue has led to a growing movement among musicians who are demanding that streaming services provide more equitable compensation. Advocates are pushing for changes to the per stream payment model, urging platforms to increase the payouts to artists and restructure payment systems so they are more reflective of the artists’ contributions. Some musicians are even exploring new methods to bypass traditional platforms altogether, such as turning to direct fan subscriptions or blockchain based systems to take control of their revenue streams.

Rufus Wainwright, an internationally acclaimed singer songwriter, is vocal about the challenges artists face in the streaming world. "The way it works now, artists don’t see the rewards they deserve. We need more sustainable revenue streams," Wainwright said during a recent panel discussion on the issue.

The Industry’s Response

Streaming services have acknowledged the ongoing debate and some are beginning to make changes. Platforms like Spotify and Apple Music have experimented with various ways to increase payouts, including offering higher royalty rates for premium subscribers and launching features that allow fans to directly support artists. However, critics argue that these changes have yet to make a substantial impact on the lives of most musicians, especially those who don’t have the massive followings of superstars.

Daniel Ek, the CEO of Spotify, defended the company’s payment model in a public interview, claiming that streaming services provide musicians with valuable exposure that leads to other revenue streams such as concert sales and merchandise. Yet, the growing backlash from musicians indicates that many feel these promises of exposure aren’t enough to sustain their careers.

Exploring New Solutions

As the debate continues, some experts suggest that a comprehensive overhaul of the streaming model is necessary. One proposed solution is the implementation of a “user-centric payment system,” where subscribers’ monthly fees are directly distributed to the artists they listen to most. This model could potentially offer a more fair and personalized payment structure, ensuring that artists are compensated according to the actual listening habits of their fans.

Imogen Heap, an innovator in the music tech space, is championing this idea, stating that such a shift could restore more control to artists over their income. Heap has been experimenting with blockchain technology to help musicians receive fair compensation for their work, offering a glimpse into potential future solutions for the industry.

The Road Ahead

The fight for better compensation is far from over, and as musicians continue to push back against dwindling payments from streaming services, the conversation around fair pay in the music industry is becoming increasingly urgent. While streaming has revolutionized music access and made it easier for fans to discover new artists, it’s clear that the current system is not sustainable for many creators.

As this issue continues to gain traction, the hope is that industry leaders, streaming services, and artists can come together to create a more balanced and fair system one where the artists who make the music are compensated appropriately for their work. Until then, the debate over streaming royalties will remain a critical conversation within the music industry.