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Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

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What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

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Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

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Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

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Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

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Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

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GarageBand Hacks: Creating Professional-Sounding Tracks Without Expensive Plugins

October 1, 2024

GarageBand is often seen as an entry-level DAW (Digital Audio Workstation), but it has powerful tools that, when used effectively, can create professional-quality tracks. Many indie musicians and...

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Solving the General MIDI Program Change Dilemma in Ableton

October 1, 2024

When working with MIDI in Ableton, one might notice that although MIDI clips can send program changes, most of Ableton's native plugins don’t seem to respond to these changes effectively. This can...

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Escaping 'Tutorial Hell': Stay Motivated and Actually Progress in Music Production

September 21, 2024

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Should You Write Music or Lyrics First? Solutions from Famous Creators

September 20, 2024

One of the most common challenges for songwriters is deciding whether to write the music or lyrics first. This can feel like a "chicken-or-egg" situation, but there's no one-size-fits-all answer...

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How to Plan the Perfect Release Day for Your Single or Album

September 20, 2024

Releasing a new single or album is a huge milestone for any musician. However, without proper planning, your work may not get the attention it deserves. It’s not just about putting the song online...

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Mastering the Low End: Compression Tips for a Tight Mix

September 20, 2024

When it comes to music production, getting the low end right can be tricky. Many producers face a common issue: after the initial mix sounds perfect, a few days later, the low end starts to feel...

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Glass Animals Are Trapped In an Airlock on New Single and Video

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“YOU BLEW ME to stardust,” Glass Animals lead singer Dave Bayley sings on the U.K. band’s latest single “Tear in Space (Airlock).” The tantalizing track swirls with synths over a pulsating beat as Bayley’s falsetto compares an all-consuming love to being trapped in the pressurized, in-between area of a space shuttle. Trippy shit, right? This new single is a prime example of Glass Animals' ability to blend intricate soundscapes with deeply emotive lyrics, creating a unique listening experience that captivates and mesmerizes.

“Tear in Space (Airlock)” is the newest single from the band’s fourth studio album, I Love You So F**ing Much*, set to be released on July 19. To accompany the track, Glass Animals also shared a black-and-white music video that plays into the sci-fi elements of the song and the album overall. The video, directed by Taylor Fauntleroy and Drew Kirsch, finds Bayley fighting gravity (and for his life) in a literal airlock chamber while symbolic objects from a dinner table shatter in front of his face. “A ‘Tear in Space (Airlock)’ explores a love that is all-consuming, forcing you to bend and stretch yourself around the other person to the point where you lose yourself, stretched so thin, squashed so small, you are almost invisible,” Bayley said in a statement. This visual and lyrical exploration of love and identity showcases the band's innovative approach to storytelling through music and video.

The album, I Love You So F**ing Much*, was announced in April, along with the lead single “Creatures In Heaven.” Since then, the U.K. outfit shared the news of a massive international tour for later this year, much to the delight of their global fanbase. This upcoming album will be their fourth and follows 2020’s Dreamland, which spawned Glass Animals’ massive hit “Heat Waves.” The new single also comes with the official announcement that “Heat Waves” is now RIAA Diamond Certified. With this new release, Glass Animals continues to push boundaries and solidify their place in the modern music landscape, promising fans an exciting and immersive new chapter in their musical journey.

Glass Animals Are Trapped In an Airlock on New Single and Videoglass-animals-are-trapped-in-an-airlock-on-new-single-and-videoMuhammad SiddqiuiJun 18, 2024“YOU BLEW ME to stardust,” Glass Animals lead singer Dave Bayley sings on the U.K. band’s latest single “Tear in Space (Airlock).” The tantalizing track swirls with synths over a pulsating beat as...