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K-Pop Demon Hunters soundtrack dominates UK charts as Ozzy Osbourne tributes surge

July 30, 2025

In a surprising twist, the Demon Hunter K-pop soundtrack has claimed the top spot on the UK charts, reflecting the growing influence of the genre beyond its South Korean origins. Meanwhile, the...

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Viral Throwback: Connie Francis’s 1962 Song “Pretty Little Baby” Is TikTok’s Unexpected Anthem

July 30, 2025

This week's noteworthy tale: The 1962 B-side song "Pretty Little Baby," a decades-old deep cut by pop icon Connie Francis, has gone viral on TikTok, exposing a new generation to a voice from the...

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IVE’s ‘Supernova Love’ Blew Up on TikTok, and Now We’re All Orbiting Their Era

July 30, 2025

You’ve heard it. You’ve seen it. You’ve probably tried (and failed) to hit that head flick without dislocating something. Yes, we’re talking about the “Supernova Love” trend, the latest...

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The Weeknd Is Touring the World] and It’s Giving Apocalypse, But Make It Sexy

July 30, 2025

First, he gave us heartbreak. Then he gave us the high notes. Now, The Weeknd is giving world tour energy and yes, it’s cinematic, chaotic, and somehow still deeply romantic. From House of Balloons...

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Rock Your Body Now’ Is the Song That Walked Into the Party, Took the Aux, and Never Gave It Back

July 30, 2025

There’s always that one song. The one that hits the speakers, and suddenly everyone’s doing choreography they didn’t know they knew. That song, right now, is “Rock Your Body Now.” It didn’t just...

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“Like JENNIE”: The Song That Redefines Cool Without Even Trying

July 30, 2025

When JENNIE released “Like JENNIE,” it wasn’t just a comeback, it was a lesson in effortless power. Soft but sharp, understated but unforgettable, the track doesn’t ask for attention. It just...

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Bryson Tiller Is Outside Again And He’s Bringing the Feels Worldwide

July 30, 2025

He’s mysterious. He’s moody. He disappears for years and then shows up like nothing happened with bangers. Yes, Bryson Tiller is officially on a world tour, and if you’ve ever whispered...

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“California” by the Elevator Boys Is More Than a Summer Hit; It’s a Statement

July 27, 2025

The Elevator Boys, Jacob, Julien, Bene, Tim, and Luis, just dropped “California”, their most personal track to date. They are well-known for their charm and choreography, but this time they..

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‘Preparing for one of the greatest comebacks,’ Fans hype Drake’s new track with Central Cee

July 27, 2025

Drake has done it again, dropping a new track that has sent fans into a frenzy. This time, the Canadian rap icon has teamed up with UK artist Central Cee for a collaboration that blends their...

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Timeless Soundscapes: Moby’s Cross-Generational Collaboration with Øneheart

July 27, 2025

A distinctive new release is bringing people from different generations and places together in a music world that has been altered by technology upheavals and cultural differences. The 59-year-old...

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Tame Impala Releases New Single "End of Summer," Signaling Artistic Evolution

July 27, 2025

The psychedelic music project led by Kevin Parker debuts first track since 2020's The Slow Rush. Australian musician Kevin Parker has unveiled "End of Summer," the first new Tame Impala single in...

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Xiu Xiu Pulls Music from Spotify Over AI Investments; It’s a Bold Stand

July 27, 2025

The experimental rock group Xiu Xiu formally declared that they would be removing their music from Spotify in response to the platform's investment in artificial intelligence (AI)-powered combat...

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Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”

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Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.

"Most Artists Are in Financial Ruin"

In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.

"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.

Taylor Swift’s Streaming Success

Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.

Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.

A Broken System for Emerging Artists

For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.

Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.

Calls for Industry Reform

Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.

Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.

The Future of the Music Industry

Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.

Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.