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The Canadian pop star sells his share of rights to his music to Hipnosis Songs Capital for just over $200 million. He has sold some of his biggest hit songs, such as Baby and Sorry...
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The upcoming 'Barbie' film, scheduled for release on July 21st, has captured the hearts of fans who have long admired the animated Barbie films. Greta Girwig's live-action remake of the famous film...
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Gunna, a mainstream rapper, just released a new album containing a #1 “Billboard Hot 100” hit song called “fukumean” despite the current controversy around his name. Gunna was arrested back in May....
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Everyone knows Tik Tok as the app that blew up during COVID as a way for people to create and share short videos for others to enjoy. The video’s posted range from funny skits, dances, lip sync.....
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The mastermind behind the overwhelmingly successful album, Sour, the 20-year-old Olivia Rodrigo comes back into the spotlight with a new heart wrenching single, ‘Vampire’ and the...
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"Fans said they want 2015 Vince,” Vince Staples declares on “Étouffée,” a standout track from his sixth studio album, Dark Times. While the Southern California rapper’s career is a testament to his success and evolution, far removed from his days as a teenage Crip, he remains haunted by the spectre of violence that could lurk around any corner.
The album cover, stark and provocative, features a barely visible noose against a black background, setting the tone for the paranoia that permeates the album. Tracks like “Government Cheese” amplify this unease. The refrain, “Don’t forget to smile,” drips with irony as a dejected Staples takes a call from an imprisoned friend, reflecting on his inability to be truthful about his well-being. His numb monotone delivery suggests he’s forcing the words out, reflecting the weight of his experiences.
Staples’ mistrust extends beyond his environment to his romantic relationships. On “Nothing Matters,” he laments over a melancholic piano loop and clattering drums about a woman who ignores his calls. In “Justin,” he narrates an encounter with a woman who leads him back to her apartment, only for him to discover she has a partner.
Dark Times is rich with samples, both spoken and musical. The interlude “Liars” features a discussion between James Baldwin and Nikki Giovanni, adding intellectual weight to the album. Musical nods to DJ Screw on “Black & Blue” and Marvin Gaye on “Radio” weave a tapestry of influences, grounding Staples’ contemporary struggles in a broader cultural context. For the first time on a Vince Staples album, there’s an R&B influence, with soulful backing vocals on tracks like “Shame on the Devil.”
Dark Times is a testament to Vince Staples’ growth as an artist. His ability to explore different styles while maintaining his unique sound is commendable. This album will likely be considered one of Staples’ best works. His blend of escapist rap, clever wordplay, and nostalgic musical elements has once again captured the music world's attention. With its seamless listening experience, high-quality production, and standout tracks, Dark Times solidifies Staples’ place as one of the most innovative voices in hip-hop today. As he declares in “Little Homies,” “Life hard, better go harder.” Such an evolution inspires new up-and-coming artists to stay true to their music. Authenticity creates a powerful bond with the audience and sets them apart from those trying to fit into popular trends.