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Sampling Like a Pro: How to Flip Samples and Avoid Legal Issues

October 6, 2024

Sampling has been a cornerstone of modern music production, allowing producers to reimagine and breathe new life into old tracks. Whether you're producing hip-hop, EDM, or any genre, knowing how to...

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What Makes an EQ or Compressor VST High-Quality: Insights and Examples from Pros

October 6, 2024

When selecting EQ and compressor plugins, musicians and producers look for more than just a shiny interface or brand recognition. It's all about how these tools perform in real-world scenarios...

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Sound Design 101: Crafting Killer Drum Sounds Using Synthesizers

October 6, 2024

Drum sounds form the backbone of many music genres, and while sample packs are popular, designing your own drum sounds from scratch can elevate your production to a whole new level. Crafting custom...

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Mastering Multiband Compression Sidechaining: A Solution to Clashing Frequencies

October 6, 2024

In modern music production, one of the most common challenges is the clash of frequencies between instruments. For example, bass guitars and drum kits often compete for space in the lower end of...

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Studio One Workflow Tips for Faster Music Production

October 1, 2024

Studio One by PreSonus is an incredibly powerful DAW (Digital Audio Workstation) that offers a variety of tools to streamline your music production workflow. However, like many DAWs, getting the...

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Solving the Issue of Buried Crash Cymbals in the Mix

October 1, 2024

Crash cymbals often get buried in the mix, especially when using complex miking techniques like Glyn Johns, which balances close mics with overheads. While re-recording with higher cymbals may be a...

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GarageBand Hacks: Creating Professional-Sounding Tracks Without Expensive Plugins

October 1, 2024

GarageBand is often seen as an entry-level DAW (Digital Audio Workstation), but it has powerful tools that, when used effectively, can create professional-quality tracks. Many indie musicians and...

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Solving the General MIDI Program Change Dilemma in Ableton

October 1, 2024

When working with MIDI in Ableton, one might notice that although MIDI clips can send program changes, most of Ableton's native plugins don’t seem to respond to these changes effectively. This can...

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Escaping 'Tutorial Hell': Stay Motivated and Actually Progress in Music Production

September 21, 2024

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Should You Write Music or Lyrics First? Solutions from Famous Creators

September 20, 2024

One of the most common challenges for songwriters is deciding whether to write the music or lyrics first. This can feel like a "chicken-or-egg" situation, but there's no one-size-fits-all answer...

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How to Plan the Perfect Release Day for Your Single or Album

September 20, 2024

Releasing a new single or album is a huge milestone for any musician. However, without proper planning, your work may not get the attention it deserves. It’s not just about putting the song online...

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Mastering the Low End: Compression Tips for a Tight Mix

September 20, 2024

When it comes to music production, getting the low end right can be tricky. Many producers face a common issue: after the initial mix sounds perfect, a few days later, the low end starts to feel...

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Timbaland’s Beatmaking Masterclass Review: A Class on Feeling the Flow

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Photo: Class Trailer, Masterclass

Many artists are using their personal brand and influence to educate artists, from beginners to fellow professionals. Timbaland has partnered with Masterclass to teach musicians how to make unique beats while showing his personal style of making music. Timbaland’s course is a pre-recorded set of 15 videos that run just over 3 hours and promises to teach about beat making, working with vocal recording, collaboration in the studio, and the layering musical sections. He demonstrates his creative process and teaches the students with some of his hits, like “Dirt Off My Shoulder”.

Many people have taken this course because of Timbaland’s extensive library of hits.

Photo: Crypto Times

Positive aspects:

This course offers an in-depth review of how Timbaland creates music and taps into the feeling of creating a song from beatboxed vocals to a track. His presence in the videos is quite infectious and demonstrates how going with what feels good can make a great track. The course is fantastic for beginners because it lets the student watch a musician create and learn alongside their creative process. In the course, Timbaland goes over many of his hits, which allows for the student to connect and follow along intently with him much easier than making a new track. Timbaland’s course also shows the process of beat making in a way that even non-beatmakers find inviting and enticing.

Like many of the Masterclass courses there is also the community section, which many of the reviewers said was very helpful in creating connections with fellow artists they can create with and get feedback from.

Negative aspects:

This course is not for someone who is looking for technical instruction in DAWs and other musical equipment. As Timbaland improvised beats at the mic, his co-producers were busy inputting drum sounds and structuring them to keep the flow going. If someone would like an in-depth review into the process of working in a DAW and the technical process of arranging music, this course may not be a good fit.

Throughout the improvisational and creative portions there isn’t much verbal instruction from Timbaland since his co-producers and himself are in the creative zone. Timbaland is focused primarily on showing over telling, so during the creation of a track they show his dynamic creation process, but the verbal description of why the beats and sounds work together is a bit lacking.

Timbaland’s creative process is quite particular to how he makes a track— from beatboxing, to the addition of drums, to vocals, to completion. This course is focused on Timbaland’s specific way of creating, so for someone who may want to try multiple different ways, this may not be the best fit.

Masterclass does not let you pay for an individual class, so at $240 annually, the course may not be worth the student’s time if they don’t intend on taking any other courses.

Final Thoughts:

Overall, this course is best for a student who knows what they will be learning from it. They won’t be learning the specifics of DAWs or technical precision, but they will learn to lean into the feeling and process of making a beat from scratch, and collaborating to make a full track from a leading industry professional. The course is primarily for beginners but more knowledgeable musicians can also learn and be inspired by the alluring process that Timbaland uses in this course.