.png)
July 23, 2025
The girls who made whisper-singing and Y2K-core the new gold standard.K-pop has always been about pushing boundaries. Bigger stages. Louder beats. Flashier concepts. But then something unexpected...
Read more.png)
July 23, 2025
Let’s get one thing straight: GameBoy by Katseye isn’t just a song. It’s an era. A pixelated fever dream. A full-body vibe that makes you feel like you're the main character in a retro-futuristic...
Read more.png)
July 19, 2025
The moment Yungblud’s fans have been waiting for is here. The trailer for his upcoming documentary, Are You Ready, Boy?, just hit the internet—and it’s a whirlwind of sweat, tears, mosh pits, and...
Read more.png)
July 19, 2025
In a recent interview, SZA shared an intriguing behind-the-scenes story about her relationship with rap icon Nicki Minaj. The Grammy-winning artist revealed that Minaj had asked her to feature on...
Read more.png)
July 19, 2025
A massive fire damaged Tomorrowland 2025's famed main stage, codenamed "Orbyz," two days before the event was set to begin in Boom, Belgium. Fortunately, no one was injured, but the fire was...
Read more.png)
July 19, 2025
British baroque-pop sensation The Last Dinner Party has unveiled details of their highly anticipated second album, From the Pyre, set for release on October 17 via Island Records. Alongside the...
Read more.png)
July 19, 2025
Connie Francis’s “Pretty Little Baby” was originally a B-side in 1962. Fast forward 63 years, and it’s now topping the Viral 50 and Top 50 charts, used in over 600,000 TikToks per day, and amassing...
Read more.png)
July 19, 2025
In a recent interview, singer-songwriter SZA reportedly linked the rise of artificial intelligence (AI) to broader systemic issues like environmental racism, urging tech companies to address the...
Read more.png)
July 19, 2025
Ariana Grande has addressed recent rumors suggesting that she was planning to leave the music industry, calling the speculation "very silly" and reinforcing her commitment to her craft. In a candid...
Read more.png)
July 16, 2025
K-Pop Demon Hunters is bursting with passion for K-pop culture from the first scene to the final encore, which is one of the key reasons why fans adore it. The film appreciates and understands the...
Read more.png)
July 16, 2025
You remember the performances – Kelly Clarkson’s star-making “Natural Woman,” Carrie Underwood’s explosive “Alone,” Adam Lambert’s haunting “Mad World.” But you’ve never heard the name Michael...
Read more.png)
July 16, 2025
In a shocking turn of events, some of Beyoncé’s unreleased music and set lists were stolen from the car of one of her choreographers, sparking concerns and raising questions about security...
Read more.png)
The Who frontman Roger Daltrey has spoken out about his fallout with drummer Zak Starkey, calling the musician’s post-departure comments “incredibly upsetting.” Starkey, son of Beatles legend Ringo Starr and The Who’s touring drummer since 1996, was dramatically let go from the band earlier this year not once, but twice in quick succession.
While the split itself shocked fans, it’s the conflicting accounts of what went wrong during an April performance at London’s Royal Albert Hall that have kept the story alive.
During the show, the band performed “The Song Is Over,” but something went awry. Longtime Who members Daltrey and Pete Townshend claimed Starkey made a timing error. Starkey, however, saw it differently, telling The Telegraph that poor planning and under-rehearsal were to blame and that it was Daltrey, not him, who came in too early.
“What happened was I got it right and Roger got it wrong,” Starkey stated.
In an interview with The Times, Daltrey dismissed Starkey’s account, saying the misunderstanding stemmed from issues with the band’s use of electronic drums. He explained that in-ear monitoring problems made it difficult for him to “pitch” properly due to excessive sub-bass in the drum mix.
“It was like flying a plane without seeing the horizon,” Daltrey recalled. “So when Zak thought I was having a go at him, I wasn’t. That’s all that happened.”
But Starkey’s public remarks clearly struck a nerve. “It was kind of a character assassination and it was incredibly upsetting,” Daltrey said.
The rift didn’t end there. Starkey was briefly reinstated after the initial fallout, only to be sacked again soon after. Daltrey stressed that, aside from himself and Townshend, “everyone else is a session player” and that “you can’t replace Keith Moon.”
Starkey has described the experience as bewildering, telling The Independent in June that he was advised not to collect his drum kit from storage just yet. “I don’t know what the f*** is happening,” he said, adding that unpredictability is part of The Who’s DNA.
This public back-and-forth shines a light on the volatile nature of long-running rock bands, where personal relationships, artistic control, and live performance pressures often collide. In The Who’s case, it also touches on the delicate balance between preserving the legacy of one of rock’s most iconic groups and embracing the realities of modern touring technology.
Whether this chapter ends in reconciliation or remains a permanent fracture, one thing is clear: even after nearly six decades in the spotlight, The Who’s story continues to be as unpredictable as their music.