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February 6, 2023
SG Lewis (Samuel George Lewis) is a rising star in the dance/electronic music realm. He is a DJ/producer turned singer-songwriter, and is known for his disco-inspired, transcendent sound. He routinely
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February 4, 2023
Sam Smith just released their new album “Gloria” on the 27th of January. As described by Pitchfork, “Gloria flips between hyperpop, country, dancehall, disco, 2-step, and intimate, Kehlani-esque R&B”.
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February 5, 2023
Virtual reality and the metaverse have become popular topics in the music industry where more and more technology and music have been combined, creating something that could revolutionize the entire
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February 5, 2023
The 65th annual GRAMMY Awards are here, and there's a long-awaited addition to the awards. This year marks the introduction of a new category: the Songwriter of the Year, Non-Classical Award. For all
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January 31, 2023
Zach Bryan released his first album in 2019, and in the short time since he has become one of the biggest names in country. His biggest album, “American Heartbreak”, broke single-day album streaming
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January 31, 2023
Miley Cyrus was born into the music industry, and has spent her career channelling her Nashville and Hollywood roots into a diverse discography stacked with hits. Add to that countless covers that are
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January 31, 2023
Before the invention of TikTok, many music artists gained popularity through YouTube. However, similar to the TikTok stars of today, people in the music industry saw ‘YouTube bands’ as lesser because
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February 1, 2023
Google has done it. They have created an AI that can generate music from text descriptions. The announcement of this is timely because recently Chat GPT, (a language learning model created by OpenAI
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January 28, 2023
What does it take to be a professional singer in South Korea? On stage, these Kpop idols capture our attention with catchy songs and amazing choreographies, but what about off-stage? Behind the ...
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January 26, 2023
Writer’s block is real, and it’s not just authors, but also songwriters and composers. Thinking of top hit songs can be difficult, so how do the pros do it? Where do they get their inspiration from?
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January 26, 2023
What does a TV show based on a video game and the music industry have in common? Near the end of 2021, Arcane took the world by storm after debuting on Netflix. Not only did it dazzle us with its...
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January 23, 2023
As the contract between Blackpink and YG Entertainment nears its end, fans of the popular South Korean girl group are wondering if the group will renew their contract with the agency...
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Former Little Mix star Jade Thirlwall isn't mincing words about artists who avoid political engagement, specifically calling out The 1975's Matty Healy for what she sees as a privileged stance. In a candid Guardian interview, the solo artist argued that pop stars have a responsibility to address social issues, a sharp contrast to Healy's recent Glastonbury declaration that music should prioritize "love and friendship" over politics.
Thirlwall, who has vocally supported LGBTQ+ rights and Palestinian causes, dismissed Healy's apolitical approach:
"It's very easy for someone who's white and straight and very privileged to say that. Good for you, hun!" Her comments reference Healy's June 2025 Glastonbury performance where the rocker stated: "We don't need more politics. We need more love."
The criticism comes as Thirlwall prepares to release her debut solo album That's Showbiz Baby! on September 12 a project she says finally lets her speak unfiltered truths. One track, "IT girl," directly addresses the restrictions she faced in Little Mix:
"Those are my experiences, and now that I'm on my own, there's nothing holding me back."
The clash between Thirlwall’s activism and Healy’s "good vibes" philosophy exposes a generational fault line in pop culture. Where artists like Jade use their platforms to amplify Palestinian voices and LGBTQ+ rights, others retreat into what she calls the "privilege" of neutrality, a tension magnified as global crises demand accountability. Her willingness to critique peers like Healy by name (a rarity in the industry) turns personal conviction into a public litmus test for artistic responsibility.
The debate highlights growing tension in pop culture between artists who view their platforms as megaphones for change and those who prioritize escapism. Thirlwall's outspokenness particularly about Palestine contrasts sharply with many peers' silence, making her critique of Healy particularly pointed. In an industry often criticized for performative activism, Thirlwall's willingness to name names sets her apart while ensuring her solo debut will be as discussed for its politics as its melodies.
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