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Lil Yachty Labels Drake The "Biggest Rapper Of All Time"

August 7, 2025

Lil Yachty isn’t shy about showing love for his close friend Drake. During a recent appearance on the MdFoodieBoyz podcast, the Some Sexy Songs 4 U artist labeled the Toronto superstar...

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Ed Sheeran Reunites with Lookalike Rupert Grint for New Music Video After ‘Lego House’ 13 Years Ago

August 5, 2025

Ed Sheeran has brought back actor Rupert Grint for an upcoming music video, marking their first collaboration since 2011's viral "Lego House" visual. The new project accompanies Sheeran's track...

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Spotify Launches "DJ Now Accepts Requests" — A Revolution in Fan-Driven Exploration

August 5, 2025

To improve real-time song discovery, Spotify is now testing a new feature dubbed "DJ Now Takes Requests." The feature adds a layer of crowd participation to streaming experiences by allowing users...

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Roger Daltrey hits out at axed The Who drummer Zak Starkey for ‘incredibly upsetting’ remarks after fallout

August 5, 2025

The Who frontman Roger Daltrey has spoken out about his fallout with drummer Zak Starkey, calling the musician’s post-departure comments “incredibly upsetting.” Starkey, son of Beatles legend Ringo...

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Love Like This: Fujii Kaze’s Daydream of Devotion, in Full Technicolor

August 5, 2025

Fujii Kaze’s “Love Like This” isn’t your average love song, it’s a shimmering, soulful glide through the kind of romance that doesn’t just sweep you off your feet, it levitates you. With effortless...

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Lover Girl: Laufey’s Timeless Love Letter to the Hopeless Romantic in All of Us

August 5, 2025

Laufey’s “Lover Girl” isn’t just a song, it’s a soft, sweeping confession wrapped in strings, jazz chords, and the kind of vulnerability that makes you want to cry into your oat milk latte. With...

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Saweetie and Boffum: A Viral Remix of Sass, Style, and Side-Eyes

August 5, 2025

When Saweetie hit the mic with her usual sparkle and sass, fans expected bops, but what they didn’t expect was boffum. Yes, boffum. The internet has been shaken, stirred, and straight-up meme-ified...

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Jennie-festo of Power”: BLACKPINK’s Jennie Just Dropped an Album & We’re All Emotionally Unstable

August 5, 2025

After years of teasing, manifesting, and fans quite literally breaking down over one-song discographies, Jennie finally pulled the ultimate main character move, she dropped a full solo album. No...

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Josh Freese Opens Up on Rejoining the Nine Inch Tails

August 5, 2025

In a heartfelt social media post, Freese explained that his decision to leave Nine Inch Nails was one of the hardest of his career. At the time, he and his wife were expecting their third child...

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Ty Myers: Country’s Rising Star Who Raised $50K at Age 18

August 5, 2025

Meet Ty Myers, a teen from Texas who is transforming the concept of a country performer in 2025, music fans. Honky-tonk roots, modest ambition, and a popular TikTok moment from 2023 inspired his...

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Demi Lovato Makes ‘Fast’ Return to Pop Music With New Single: Stream It Now

August 5, 2025

Demi Lovato is back in the pop scene with her latest single, “Fast,” which brings her back to the club-ready, EDM-infused beats that fans loved in hits like “Cool for the Summer” and...

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Ejae: The Unsung Hero Behind Rumi’s Voice in KPop Demon Hunters

August 1, 2025

a deeper heartbeat emerged beneath the surface: the voice of Rumi— performed and co-written by the Korean-American singer-songwriter Ejae.

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Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”

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Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.

"Most Artists Are in Financial Ruin"

In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.

"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.

Taylor Swift’s Streaming Success

Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.

Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.

A Broken System for Emerging Artists

For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.

Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.

Calls for Industry Reform

Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.

Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.

The Future of the Music Industry

Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.

Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.