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BET CEO says network has 'suspended' Soul Train and Hip-Hop Awards

August 11, 2025

The Soul Train Awards and Hip-Hop Awards, two cornerstone events celebrating Black music and culture, have been suspended by BET. The news was confirmed by BET CEO Scott Mills in an interview with...

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GloRilla Goes Gospel: Why Her Kirk Franklin Collab Is Causing a Ruckus

August 11, 2025

When Memphis rapper GloRilla's October 2024 debut album Glorious, one track left everyone talking; "Rain Down on Me," featuring gospel heavyweights Kirk Franklin, Maverick City Music, Kierra...

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Machine Gun Kelly Reveals Taylor Swift’s Candid Super Bowl Moment as Chiefs’ Dreams Crumbled!

August 11, 2025

When the Kansas City Chiefs' three-peat dreams collapsed at Super Bowl LIX, the real drama wasn't just on the field it was in Travis Kelce's VIP box where Taylor Swift and Machine Gun Kelly were...

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Jelly Roll, Jonas Brothers, & More Unite for Stand Up To Cancer’s Nashville Debut Special!

August 10, 2025

In a powerful fusion of music and philanthropy, some of today’s most celebrated artists are stepping onto the stage not just to perform, but to make a difference. Stand Up To Cancer (SU2C) returns...

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A long time coming,’ Canadian artists applaud first-ever Latin category in 2026 Juno Awards

August 10, 2025

The Juno Awards are officially recognizing the powerful rise of Latin music in Canada. Starting in 2026, the annual awards ceremony will feature a brand-new category: Latin Music Recording of the...

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Laufey & Clairo Just Dropped the Hottest Swiftie Takes (Literally) with Battle Spicy Wings on ‘Hot Ones Versus’

August 7, 2025

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“I Hated Music”: Yvette Young Gets Candid About Burnout & Tour Pressures

August 7, 2025

Guitarist, songwriter, and frontwoman of Covet, Yvette Young, is known for her intricate tapping technique, genre-bending sound, that creates a calm presence. But in a new interview, the math rock...

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Is Contemporary Christian Music, CCM, Just Secular in Disguise?

August 7, 2025

A June 13, 2025, Baptist News Global article highlights the long-standing conflicts between traditional Black gospel music and contemporary Christian music (CCM), which are exacerbated by racial...

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What Really Led to Zak Starkey’s Confusing ‘Firing’ from The Who

August 7, 2025

In April 2025, The Who unexpectedly fired long‑time drummer Zak Starkey during a Royal Albert Hall show, reportedly over performance issues. Starkey, son of Beatles legend Ringo Starr, had been...

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MTV VMAs snubs and shocks: See who was left out of nominations

August 7, 2025

The 2025 MTV Video Music Award nominations have been announced, boasting a diverse lineup with 33 first-time nominees. Pop icons Taylor Swift and Beyoncé even earned artist of the year nods without...

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Can a Christian Rapper Go Viral Without Compromise? DC3 Just Did

August 7, 2025

From church pews in Northampton to crowds in Zimbabwe, DC3 is more than just a popular TikTok artist; he is a devout musician who is setting a new standard for UK rap. Through ingenious videos...

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KATSEYE Makes History at Lollapalooza 2025 With Record-Breaking Festival Debut

August 7, 2025

Under the blazing Chicago sun, HYBE’s rising stars KATSEYE and BOYNEXTDOOR didn’t just perform at Lollapalooza—they owned it. From viral on-stage chemistry to career-defining sets, the two groups...

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Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”

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Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.

"Most Artists Are in Financial Ruin"

In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.

"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.

Taylor Swift’s Streaming Success

Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.

Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.

A Broken System for Emerging Artists

For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.

Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.

Calls for Industry Reform

Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.

Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.

The Future of the Music Industry

Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.

Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.