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1989 (Taylor’s Version) coming out October 27 2023

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In a thrilling announcement that has set fans' hearts beating with excitement, global superstar Taylor Swift has officially revealed that her re-recorded album "1989"...

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Tay-K: From a Sudden Rise to a Sudden Downfall

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Tay-K, born Taymor McIntyre, was one such artist whose meteoric ascent was shadowed by a series of criminal acts that ultimately led to his incarceration. His story reflects the complexities...

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Deciphering "Bad idea, right?" by Olivia Rodrigo

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By now we all know Olivia Rodrigo, the teenage sensation who has taken the music industry by storm. She has a gift for capturing the deep emotions of youth in her songs. In her hit track "Good 4 u,"..

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Laufey's "From the Start": A TikTok-Propelled Success Story

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In the rapidly evolving landscape of the music industry, the power of social media platforms in catapulting songs to unprecedented fame is undeniable. Laufey's hit single "From the Start"

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ITZY’s ‘Kill My Doubt’ Sweetens the Stage

August 15, 2023

Superstar K-pop group ITZY is a 5-member group consisting of Yeji, Lia, Ryujin, Chaeryoung and Yuna who have released their long-awaited mini album ‘Kill My Doubt’. ITZY has come across much success..

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Somi Returns with a Catchy ‘Game Plan’

August 10, 2023

Somi is one of Korea’s most successful solo artists in the industry who placed first after competing in a survival show ‘Produce 101’ and debuting with K-pop group ‘I.O.I’...

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Dua Lipa's Sleeper Hits

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Dua Lipa, the talented British singer, and songwriter, has made an indelible mark on the music industry with her chart-topping hits that resonate with audiences around the world. Her discography...

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Chief Keef: The Pioneer of Trap Music

August 10, 2023

Chief Keef stands as a trailblazing figure who reshaped the genre and introduced a new wave of music known as drill. Being raised in Chicago's South Side, Chief Keef's rise to fame...

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The Irresistible Allure of Fuji Kaze's "Shinunoga E-Wa"

August 9, 2023

If you're currently nodding your head in agreement, then you're likely familiar with the captivating melody of Fuji Kaze's "Shinunoga E-Wa." Released as part of his debut album "HELP EVER HURT...

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Travis Scott’s Long-Awaited Album: Utopia

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In the ever-evolving landscape of hip-hop, few artists have managed to captivate and redefine the genre quite like Travis Scott. Known for his innovative sound, genre-blurring approach...

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Playboi Carti and His Influence on The Music Industry

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Born Jordan Terrell Carter on September 13, 1996, Carti's introduction to music began at an early age, as he dabbled in both writing and formulating beats. However, it wasn't until he gained...

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Tory Lanez's "Hurts Me"; A Srategic Move or a Sincere Effort?

August 7, 2023

In June, Tory Lanez made headlines by dropping a fresh single titled "Hurt Me," a creation that emerged from behind bars as he awaits his sentencing in the Megan Thee Stallion shooting case...

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Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”

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Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.

"Most Artists Are in Financial Ruin"

In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.

"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.

Taylor Swift’s Streaming Success

Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.

Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.

A Broken System for Emerging Artists

For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.

Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.

Calls for Industry Reform

Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.

Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.

The Future of the Music Industry

Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.

Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.

Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”billie-marten-mostly-artists-are-in-financial-ruin---were-all-paying-taylor-swiftMuhammad SiddiquiJul 30, 2025Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music...