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How NewJeans Rewired the Sound of 5th-Gen K-Pop

July 23, 2025

The girls who made whisper-singing and Y2K-core the new gold standard.K-pop has always been about pushing boundaries. Bigger stages. Louder beats. Flashier concepts. But then something unexpected...

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GameBoy by Katseye: The Song That Hits Harder Than a Final Boss Fight

July 23, 2025

Let’s get one thing straight: GameBoy by Katseye isn’t just a song. It’s an era. A pixelated fever dream. A full-body vibe that makes you feel like you're the main character in a retro-futuristic...

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YUNGBLUD’S NEW DOCUMENTARY PROMISES CHAOS, CATHARSIS & A FRONT-ROW SEAT TO HIS REVOLUTION!

July 19, 2025

The moment Yungblud’s fans have been waiting for is here. The trailer for his upcoming documentary, Are You Ready, Boy?, just hit the internet—and it’s a whirlwind of sweat, tears, mosh pits, and...

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SZA claims Nicki Minaj asked her to feature “twice” on her songs despite questioning how “successful” she was

July 19, 2025

In a recent interview, SZA shared an intriguing behind-the-scenes story about her relationship with rap icon Nicki Minaj. The Grammy-winning artist revealed that Minaj had asked her to feature on...

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Tomorrowland’s Main Stage Fire Is Changing Music Festivals Forever

July 19, 2025

A massive fire damaged Tomorrowland 2025's famed main stage, codenamed "Orbyz," two days before the event was set to begin in Boom, Belgium. Fortunately, no one was injured, but the fire was...

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Dinner Is Served… Again! The Last Dinner Party Returns with a Grittier Feast

July 19, 2025

British baroque-pop sensation The Last Dinner Party has unveiled details of their highly anticipated second album, From the Pyre, set for release on October 17 via Island Records. Alongside the...

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Why Gen Z Is Obsessed with a 1962 Song: A Cultural Deep-Dive

July 19, 2025

Connie Francis’s “Pretty Little Baby” was originally a B-side in 1962. Fast forward 63 years, and it’s now topping the Viral 50 and Top 50 charts, used in over 600,000 TikToks per day, and amassing...

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SZA Calls Out AI and Environmental Racism: "Tech Can’t Ignore Pollution in Our Communities"

July 19, 2025

In a recent interview, singer-songwriter SZA reportedly linked the rise of artificial intelligence (AI) to broader systemic issues like environmental racism, urging tech companies to address the...

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Ariana Grande Says It’s ‘Very Silly’ to Think She’s Abandoning Music Amid New Acting Roles: ‘I Plan to Sing for You All Next Year’

July 19, 2025

Ariana Grande has addressed recent rumors suggesting that she was planning to leave the music industry, calling the speculation "very silly" and reinforcing her commitment to her craft. In a candid...

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A Love Letter to K-Pop: Why Fans Are Falling for K-Pop Demon Hunters

July 16, 2025

K-Pop Demon Hunters is bursting with passion for K-pop culture from the first scene to the final encore, which is one of the key reasons why fans adore it. The film appreciates and understands the...

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From Studio Booth to Superstardom: Michael Sandecki's Unseen American Idol Revolution

July 16, 2025

You remember the performances – Kelly Clarkson’s star-making “Natural Woman,” Carrie Underwood’s explosive “Alone,” Adam Lambert’s haunting “Mad World.” But you’ve never heard the name Michael...

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Some of Beyoncé’s unreleased music and set lists stolen from choreographer’s car

July 16, 2025

In a shocking turn of events, some of Beyoncé’s unreleased music and set lists were stolen from the car of one of her choreographers, sparking concerns and raising questions about security...

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Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”

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Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.

"Most Artists Are in Financial Ruin"

In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.

"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.

Taylor Swift’s Streaming Success

Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.

Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.

A Broken System for Emerging Artists

For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.

Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.

Calls for Industry Reform

Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.

Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.

The Future of the Music Industry

Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.

Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.