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Rap Battles Are No Longer About the Music

March 27, 2026

Rap has always had tension in it. That’s kind of the point. Competition built the genre, who’s better, who’s realer, who actually has something to say. From early clashes to full blown diss tracks...

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Why Everything Sounds “Nostalgic” Right Now — Even New Songs

March 27, 2026

Pop music right now has a weird quality to it. You hear a brand new song, fresh release, trending everywhere, and somehow it feels like you’ve already lived with it. Not in a repetitive way, but in...

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The Unreleased Era: When “Leaked” Music Isn’t Really a Leak Anymore

March 27, 2026

There was a time when a song leaking early was every artist’s worst nightmare. It meant lost control, lost streams, and a rollout ruined before it even began. Now? It kind of feels like the...

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The Quiet Move That’s Reshaping Pop Behind the Scenes

March 27, 2026

At first, it just sounded like another business deal. But this one actually means a lot more for how music works right now. When news came out that Britney Spears sold the rights to her music...

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From Sound to Screen — Why The Moment Feels So Charli XCX

March 27, 2026

Charli XCX has never been the type of artist to stay in one place creatively. From reshaping modern pop to experimenting with sound, mood, and identity, her work has always felt bigger than just...

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The Comeback Era: Why Artists Aren’t Really “Gone” Anymore

March 25, 2026

Something interesting is happening in music right now. Artists don’t really disappear anymore. They just… pause.Then suddenly they’re back, and somehow bigger than before.A lot of this comes down...

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Sweet and Bright! How to make the Bubblegum Pop sound

March 25, 2026

Bubblegum pop is upbeat pop music with very strong hooks, simple lyrics, and a sweet. Songs are usually short, in a major key, with easy melodies, handclaps, and sing‑along choruses that get stuck...

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The Comeback Era: Why Artists Aren’t Really “Gone” Anymore

March 25, 2026

Something interesting is happening in music right now. Artists don’t really disappear anymore. They just… pause.Then suddenly they’re back, and somehow bigger than before.A lot of this comes down...

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A Deep Dive into PinkPantheress’s Production and the New Nostalgia Sound

March 25, 2026

Before PinkPantheress became a Grammy-nominated artist and one of the most talked about names in the industry, she started on her laptop with GarageBand, experimenting, recording vocals in her room...

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The Deluxe Drop: Why Artists Keep Expanding Albums After Release

March 25, 2026

In today’s streaming era, an album release rarely ends on release day. Instead, many artists return a few months later with an expanded version, often called a deluxe or extended edition. These...

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The “Greedy” Effect: How Tate McRae Brought Dance-Pop Energy Back

March 25, 2026

Pop music goes through phases. Some years the charts are full of emotional ballads, other times it’s glossy synth pop or moody R&B. When Tate McRae released “Greedy,” the track cut through that...

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Jersey Club Is Taking Over: A Starter Pack

March 25, 2026

If you’ve been scrolling through TikTok or Instagram lately, chances are you’ve heard a certain bouncy, chopped-up beat. That’s Jersey Club! a high-energy genre from Newark, New Jersey and it’s...

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Why are female artists underplayed on Canadian radio?

Sabrina Carpenter’s Short n’ Sweet

A new University of Ottawa study has revealed a stark disparity in the airplay of music by women, particularly racialized and trans artists, on commercial Canadian radio over the past decade. This significant underrepresentation highlights ongoing issues within the industry regarding diversity and inclusivity. Today on Commotion, principal investigator and professor Jada Watson, alongside Cree country artist Desiree Dorion, join guest host Amil Niazi to discuss the study's findings and explore potential paths forward for the industry.

Professor Jada Watson, who led the study, delves into the data that underscores the systemic inequities faced by women, especially those from marginalized communities, in gaining airplay on commercial radio. She emphasizes the importance of recognizing and addressing these biases to create a more equitable musical landscape. "Our findings are a call to action for the industry to reflect on its practices and actively work towards greater representation and support for underrepresented artists," Watson asserts.

Desiree Dorion, bringing her perspective as an Indigenous artist, shares her personal experiences and the challenges she has faced in getting her music heard. She speaks to the broader implications of the study, highlighting the need for structural changes within the industry to ensure that diverse voices are not just heard but celebrated. Dorion's insights underscore the necessity of industry-wide efforts to promote inclusivity, from programming decisions to support for emerging artists from marginalized backgrounds. Together with Amil Niazi, the discussion aims to shed light on actionable steps that can pave the way for a more inclusive and representative music industry in Canada.

Why are female artists underplayed on Canadian radio?why-are-female-artists-underplayed-on-canadian-radioMuhammad SiddiquiJun 19, 2024A new University of Ottawa study has revealed a stark disparity in the airplay of music by women, particularly racialized and trans artists, on commercial Canadian radio over the past decade...