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Dave Meyers: The Visionary Behind Pop’s Most Iconic Music Videos

July 16, 2025

In an era where music and visuals are inextricably linked, one name continues to shape the language of modern music videos: Dave Meyers. With a career that spans over three decades, director Dave...

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4 Toronto artists make the Polaris Music Prize short list, but Quebec leads the way

July 16, 2025

This July, the Polaris Music Prize jury unveiled its 10-album shortlist for 2025—a list led numerically by Quebec acts but featuring four shining entries from Toronto. For a city whose scene often...

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Fictional Idols vs. Real Charts: K-Pop Demon Hunters’ Unbelievable Spotify Takeover

July 16, 2025

What happens when a fictional K-pop boy band outsells the real ones? In a twist straight out of a dystopian idol fanfic, the animated groups Huntr/x and Saja Boys—created for Netflix’s explosive...

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Conan Gray’s “Vodka Cranberry” Is a Late-Night Cry for Closure—and a Glimpse Into His Most Vulnerable Album Yet

July 16, 2025

Drunk calls. Crying in the dark. Lingering heartbreak. Conan Gray’s new single “Vodka Cranberry” isn’t just a song—it’s a full-blown emotional unraveling, and fans are already bracing themselves...

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Jinu from K-Pop Demon Hunters Is Actually a K-Pop Legend - Meet Andrew Choi

July 15, 2025

Andrew Choi was already a hidden force in real-world K-pop before becoming Jinu, the soulful lead of the animated boy band Saja Boys, a member of the K-Pop Demon Hunters. Choi co-wrote the quiet....

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Justin Bieber Just Dropped the Swaggiest Album of the Year

July 13, 2025

Let’s be honest: when most pop stars go quiet, we assume they’re recharging in Bali, journaling in silk robes. Not Justin Bieber. Nah, he went into full stealth mode, dropped a random “SWAG”...

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KATSEYE Tickets for their concert tour “Beautiful Chaos,” Vanish Faster Than Eyeliner in a Heatwave — Sold Out & Slayed

July 13, 2025

It’s official: KATSEYE didn’t just sell out, they served out. Every single ticket to their upcoming live shows? Gone. Vamoosed. Snatched like a wig in a wind tunnel.The global girl group, part...

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Backstreet’s Back (Again!): Millennium 2.0 Is the Comeback We Didn’t Know We Needed, but Now Can’t Live Without

July 13, 2025

Cue the frosted tips, cargo pants, and emotional harmonies, because the Backstreet Boys just dropped Millennium 2.0, and let’s just say, everybody (yeahhh!) is losing their minds.Yes, that’s right...

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Tyla’s “IS IT” Hits Different—And It’s Definitely It, Baby!

July 13, 2025

Tyla just slid into our summer soundtrack with her new track “IS IT”, and let me tell you, it is everything. No cap. Straight off the jump, you get those booming amapiano kicks and warped vocal...

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Blackpink Reunite With Explosive New Track “Jump” as Deadline World Tour Takes Off

July 13, 2025

The wait is officially over: Blackpink is back—louder, bolder, and more united than ever. On the opening night of their highly anticipated Deadline World Tour, the global K-pop phenomenon debuted...

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Justin Bieber Speaks Out: Anger, Boundaries, and the Struggle Behind the Spotlight

July 13, 2025

Justin Bieber has never been a stranger to the spotlight—but this time, the glare feels more personal. In a series of emotional posts, the global superstar cracked open the curated image fans often...

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Coldplay Made the Universe Feel Small at Toronto’s Most Unexpected Venue

July 13, 2025

When Coldplay’s Chris Martin looked out into the crowd at Toronto’s brand-new Rogers Stadium on July 8 and joked, “This is a very bizarre stadium a million miles from Earth,” we all laughed—but he...

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The Ghostwriting Debate in Music: How Widespread Is It and Should We Care?

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The world of music has always been shrouded in a certain level of mystery and allure, but the recent spat between Meek Mill and Drake has brought a longstanding issue back into the spotlight: ghostwriting. The controversy ignites a debate about the importance of authorship and authenticity in music, particularly in genres where personal narrative and credibility are key, like hip-hop.

In 2012, Damien Hirst, a renowned artist, responded to criticism about his minimal personal involvement in the creation of his famous spot paintings by comparing himself to an architect. His defense highlighted a crucial point: in many creative fields, the end product is a collective effort. This idea is widely accepted in some areas, such as speechwriting for politicians or scripts for TV presenters. However, in music, especially rap, there's a significant focus on the authenticity of the artist's voice.

Hip-hop is a genre deeply rooted in personal storytelling and authenticity. As Austin Daboh from 1Xtra points out, the personal nature of rap lyrics means that ghostwriting can be seen as undermining an artist's credibility. When rappers like 50 Cent talk about their life experiences, such as surviving multiple gunshots, the expectation is that these stories are their own, not fabricated or penned by someone else. This personal connection is why Meek Mill's accusation against Drake struck such a nerve; it challenges the very foundation of what many believe rap should represent.

Yet, ghostwriting in music is far from rare. Many iconic tracks have had contributions from writers behind the scenes. Nas helped craft hits for Will Smith, Method Man contributed to ODB's debut album, and Jay-Z wrote for Dr. Dre and even Bugs Bunny. Killer Mike has openly discussed his own ghostwriting experiences, explaining that writing from another artist's perspective can make perfect sense. In pop music, where the focus is often more on the performance than the personal narrative, the use of ghostwriters is widely accepted. Artists like Taylor Swift and Lorde have brought songwriting to the forefront of their identities, showing that pop can value authenticity too. The inclusion of voice memos on Swift’s album "1989" underscores how integral songwriting is to her brand.

However, not everyone in the industry is thrilled about this shift. Some believe that performing and writing are distinct talents, and that good performers need not write their own songs. The reality is that many hits are the result of collaborations among multiple writers and producers. This is particularly true in genres like hip-hop and dance music, where the lines between production and songwriting are increasingly blurred.

The debate over ghostwriting ultimately circles back to the question of what fans expect from their favorite artists. Is it the artist's voice and story that matter most, or simply the quality of the music they produce? For some, the idea of an artist not writing their own lyrics feels like a betrayal, while for others, it's just part of the creative process.

In the end, the issue of ghostwriting in music reflects broader questions about authenticity and authorship. While some fans might feel deceived if they discover their favorite artist didn’t pen their own hits, others might appreciate the collaborative effort that goes into creating great music. Perhaps the only real rule in ghostwriting, as in many aspects of life, is this: if you're going to do it, don’t get caught.

The Ghostwriting Debate in Music: How Widespread Is It and Should We Care?the-ghostwriting-debate-in-music-how-widespread-is-it-and-should-we-careHla EidJun 20, 2024The world of music has always been shrouded in a certain level of mystery and allure, but the recent spat between Meek Mill and Drake has brought a longstanding issue back into the spotlight...