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In October 2019, member of the K-pop group Monsta X, WONHO, faced allegations of drug usage, resulting in his departure from the group. Fans were disheartened by the news of him leaving and wondered..
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Songwriters, composers, and publishers have long been underpaid when it comes to the live concert industry. However, a successful court case may be the first step to changing that.....
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Society has always placed a high value on music. As technology starts to become more part of our lives, social media and music platforms have become more and more prominent in the music business....
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The Latin GRAMMY Awards are changing it up this year for songwriters! On March 21, 2023, The Latin Recording Academy released a press release announcing various additions and changes to the awards...
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Even if you don’t know who Max Martin is, you’ve definitely heard his songs. Hit-pop songs are kind of his thing after all. Martin first stepped into the music world in 1985 as a frontman for....
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The Filipino-Canadian duo from Vancouver has been releasing new tracks left and right, and they are known for their most streamed songs on Spotify, “Timezones,” and “Silver Skies.” Previously .......
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The singer, songwriter, and actress Miley Cyrus has recently released a record-breaking song called “Flowers” in January 2023. This song recites her 10-year long relationship with her ex-husband....
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Men I Trust is a Canadian indie pop band known for their dreamy and mellow sound. Their music is laid back, incorporating elements of funk, disco, and R&B to create a smooth and groovy vibe that is
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Artists like Kaytranada have proved that you don’t need access to a professional recording studio to create well-produced music. As technology and social media have advanced, it is now easier than eve
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People draw inspiration from others when forming their ideas, it’s a fact of life. Sampling in music is no exception - and artists do it for a variety of reasons. Traditionally, copyright laws and
Read moreOver the past decade, Future has built a legacy that defies convention. Narcotized, addled, and tender by turns, his music is a kaleidoscope of trap ballads, twerk anthems, trippy blues, and emotional chaos. His superpower lies in his ability to smear emotions into collages, using his protean voice to ascend to the peaks of exuberance and plunge into the depths of despair. A single song can pivot unexpectedly into the sublime, reshaping its own context and leaving a lasting imprint on everything that follows. Future is chaos unleashed—and distilled.
While his accolades may pale compared to others—fewer Grammys than Macklemore, fewer hits than Drake, and less critical acclaim than Kendrick Lamar—Future’s influence casts a long shadow over rap. He bridged the swag-rap of the 2000s, epitomized by Roscoe Dash and Soulja Boy, with the grandeur of Atlanta’s trap stalwarts like Gucci Mane and Young Jeezy. Drawing from predecessors like T-Pain, Kanye West, and Lil Wayne, Future reshaped their contributions into a unique sonic identity: a blend of gritty noir, melodic introspection, and unabashed hedonism.
From the Dungeon to the World
Future’s roots trace back to the Dungeon Family, the legendary Atlanta collective that birthed OutKast and Goodie Mob. As Meathead, the youngest member of Dungeon Family’s Da Connect, he honed his craft under the mentorship of producer Rico Wade, his cousin. Wade taught him to prioritize hooks, concepts, and structure—a foundation evident in Future’s later works, even as his style evolved into the freeform, emotionally raw expression he’s known for today.
Rebranded as Future in 2010, he began carving out a niche through his melodic approach. Early tracks like “Old Hunnduds” showcased his knack for embedding odd, catchy melodies into his flows, redefining how melody could add richness to rap. His breakout came with “Racks,” a 2011 feature where he transformed a single word into a dynamic, multifaceted hook that was playful, exuberant, and entirely original.
The Evolution of a Sound
Future’s innovation didn’t stop with hooks. Tracks like “Tony Montana” and “Same Damn Time” revealed his knack for embodying raw emotion, using Auto-Tune not to alienate but to heighten vulnerability and amplify moods. “Turn on the Lights,” for example, turned strained croaks and vocal cracks into a tender blues anthem, underscoring his gift for inhabiting emotions as much as expressing them.
This mastery of mood made Future a sought-after collaborator. From JAY-Z to Kanye West, Lil Wayne, and Justin Bieber, he brought an alchemical spark to their songs, helping create anthems that defined an era. Yet his most vital work has always been his solo material, where he sinks into himself, transforming personal turmoil into universally resonant music.
Monster and the Birth of a New Future
The pivotal moment in Future’s career came with *Monster* (2014), often remembered as his breakup album following the end of his engagement to Ciara. The mixtape’s raw introspection and toxic energy marked a turning point. Tracks like “Throw Away” and “Codeine Crazy” explored the depths of addiction and emotional turmoil, oscillating between candor and self-destruction. On “Codeine Crazy,” he confesses, “I’m an addict and I can’t even hide it,” yet the song offers no resolution—only the continuation of a destructive cycle.
Legacy Beyond Hits
Future’s influence extends far beyond his discography. His spontaneous, stream-of-consciousness recording style has become the norm in hip-hop, emphasizing raw emotion over polished lyricism. This immediacy has inspired a new generation of artists, from Travis Scott to Post Malone, who channel his aesthetic while carving their paths.
At the same time, Future’s collaborations with producers like Metro Boomin, Southside, and Zaytoven have re-centered Atlanta as the heart of trap music. Their experiments with sound—from eerie synths to unconventional drum patterns—pushed the genre into new territories, ensuring its relevance in an ever-evolving musical landscape.
The Enigma of Future
Despite his ubiquity, Future remains an enigma. His music immerses listeners in his emotional world without inviting identification. He offers glimpses into his psyche—empty relationships, drug-fueled escapades, and fleeting highs—but never fully reveals himself. His music is not about tearing down walls but maintaining them, finding connection through shared distance.
Future’s realm is one of contradictions: parties that are terrible, drugs that are debilitating, and sex that feels hollow. Yet there’s magic in his chaos, a clarity in his refusal to conform. As he sings, “Let’s be selfish,” he invites us to inhabit our own walls, finding solace in his strange, unyielding world. If Future can live with himself, maybe we can too.