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Fans Choose RM’s ‘Come Back to Me’ as This Week’s Favorite New Music

May 14, 2024

In a testament to the global phenomenon of K-pop, RM, the leader of BTS, has once again proven his solo prowess as his latest track emerges as a fan favorite. In a recent poll published by Billboard..

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Downtown's $500 Million Boost: A Major Leap for Indie Music

May 14, 2024

In a transformative move for the independent music scene, Downtown has secured a monumental $500 million credit agreement from Bank of America. This substantial financial infusion...

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Joni Mitchell's Return to Spotify: A Harmonious Resolution

May 14, 2024

Legendary singer-songwriter Joni Mitchell has ended her two-year protest against Spotify, marking a significant moment for the music streaming world. In 2022, Mitchell removed her catalogue....

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Switzerland Wins Eurovision song Contest After Controversial Grand Final

May 14, 2024

Switzerland emerged victorious in the 68th Eurovision song contest, amidst controversies over Israel's participation and the disqualification of the Dutch contestant just before the grand...

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Lana Del Rey and Quavo's Unexpected Musical Fusion

May 14, 2024

In the ever-evolving landscape of music, unexpected collaborations can often yield the most spectacular results. Recently, the music world was set abuzz with the news of an intriguing pairing...

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RAYE Shines at Brit Awards 2024: A Record-Breaking Night to Remember

May 13, 2024

In an industry often criticised for its fleeting nature and quick-to-pass trends, the Brit Awards 2024 will be remembered for its groundbreaking achievements, particularly for British pop sensation...

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Universal Music Group and TikTok: A Triumphant Return

May 13, 2024

In a significant development in the music and tech industries, Universal Music Group (UMG) artists including global icons like Drake, Adele, Bad Bunny, and Billie Eilish have made a celebrated....

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Apple Music's Partner Program: Revolutionising the Music Industry Through Data

May 13, 2024

Apple Music has recently introduced an ambitious initiative that stands to transform the landscape of the music industry: the "Apple Music Partner Program." This groundbreaking program....

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See Taylor Swift Perform ‘Fortnight,’ ‘But Daddy I Love Him’ at The Eras Tour

May 11, 2024

In a whirlwind of excitement and anticipation, Taylor Swift has once again captivated audiences with the debut of her latest double album, "The Tortured Poets Department...

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Gunna's Resurgence: Decoding the Brilliance of “One of Wun”

May 11, 2024

In the turbulent realm of hip-hop, reputations wield immense power, capable of either propelling an artist to stardom or shackling them to infamy...

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Frank Ocean's Timeless Appeal: Climbing the Charts Again with Hit Album Blonde

May 10, 2024

In the ever-evolving world of music, where new stars emerge and fade with astonishing rapidity, the longevity of an artist in the charts is a testament to their enduring appeal. Frank Ocean...

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DaBaby: From Charlotte to Chart-Topping Sensation

May 10, 2024

In the ever-evolving landscape of hip-hop, few artists have made as big a splash as DaBaby. Born Jonathan Lyndale Kirk in Charlotte, North Carolina, DaBaby has become synonymous with odd beats...

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Supergroup Boygenius Caps Off Recent Success with EP ‘The Rest’

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Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks. This comes off the tail-end of the massive success that was their first full length album, “The Record”, and deliberately follows the same themes of struggling relationships and accepting one’s imperfect self. 

With returning collaborators such as Ethan Gruska and Marshall Vore, the integrity of their gritty production sound remains intact, notably granting equal voice and opportunity for each member to shine. The opening track, ‘Black Hole’, offers a solo Julien Baker who paints a picture of being alone on a dark night before she’s followed up with vocal harmonies Bridgers and Dacus. 

The baton is then passed to Lucy Dacus on ‘Afraid of Heights’, where she contemplates taking risks and encountering this in a relationship: “I Know you wanted me to take a risk / Not everybody gets the chance to live a life that isn’t dangerous”. Here, Dacus not only provides solace for people who value a comfortable life, but she criticizes people who glorify a life of senseless thrills and risks for the very sake of danger while others may be forced to live in such reality. And for artists who have such a large platform, I commend them for writing lyrical content that drives listeners to question and reflect on their values while also allowing them to relate to the music.