July 30, 2025
In a surprising twist, the Demon Hunter K-pop soundtrack has claimed the top spot on the UK charts, reflecting the growing influence of the genre beyond its South Korean origins. Meanwhile, the...
Read moreJuly 30, 2025
This week's noteworthy tale: The 1962 B-side song "Pretty Little Baby," a decades-old deep cut by pop icon Connie Francis, has gone viral on TikTok, exposing a new generation to a voice from the...
Read moreJuly 30, 2025
You’ve heard it. You’ve seen it. You’ve probably tried (and failed) to hit that head flick without dislocating something. Yes, we’re talking about the “Supernova Love” trend, the latest...
Read moreJuly 30, 2025
First, he gave us heartbreak. Then he gave us the high notes. Now, The Weeknd is giving world tour energy and yes, it’s cinematic, chaotic, and somehow still deeply romantic. From House of Balloons...
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There’s always that one song. The one that hits the speakers, and suddenly everyone’s doing choreography they didn’t know they knew. That song, right now, is “Rock Your Body Now.” It didn’t just...
Read moreJuly 30, 2025
When JENNIE released “Like JENNIE,” it wasn’t just a comeback, it was a lesson in effortless power. Soft but sharp, understated but unforgettable, the track doesn’t ask for attention. It just...
Read moreJuly 30, 2025
He’s mysterious. He’s moody. He disappears for years and then shows up like nothing happened with bangers. Yes, Bryson Tiller is officially on a world tour, and if you’ve ever whispered...
Read moreJuly 27, 2025
The Elevator Boys, Jacob, Julien, Bene, Tim, and Luis, just dropped “California”, their most personal track to date. They are well-known for their charm and choreography, but this time they..
Read moreJuly 27, 2025
Drake has done it again, dropping a new track that has sent fans into a frenzy. This time, the Canadian rap icon has teamed up with UK artist Central Cee for a collaboration that blends their...
Read moreJuly 27, 2025
A distinctive new release is bringing people from different generations and places together in a music world that has been altered by technology upheavals and cultural differences. The 59-year-old...
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The psychedelic music project led by Kevin Parker debuts first track since 2020's The Slow Rush. Australian musician Kevin Parker has unveiled "End of Summer," the first new Tame Impala single in...
Read moreJuly 27, 2025
The experimental rock group Xiu Xiu formally declared that they would be removing their music from Spotify in response to the platform's investment in artificial intelligence (AI)-powered combat...
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Indonesian-born artist Stephanie Poetri is not just a musician; she's a sonic storyteller whose narratives unfold against the backdrop of a world obsessed with digital connectivity and astrological signs. With her latest single, "Astrologically Illogical," Poetri ventures into the whimsical territory of love's unpredictability, challenging the widespread faith in astrological compatibility. This track marks a departure from the ethereal tones that characterized her earlier work, embracing a bolder mix of indie pop and rock. Through this evolution, Poetri offers a fresh perspective on navigating relationships in an era where horoscopes often dictate compatibility.
"Astrologically Illogical" stems from a moment of personal amusement for Poetri. The inspiration hit when she whimsically checked the astrological compatibility between herself and her boyfriend, only to discover their signs starkly misaligned. Rather than taking this revelation to heart, Poetri channeled her amusement into creativity, birthing a track that playfully critiques our collective obsession with aligning stars and romantic fates. This anecdote encapsulates the spirit of the song - a celebration of love that thrives in defiance of cosmic odds.
In discussing her musical journey with Earmilk, Poetri highlighted the shift in her sound from the "acoustic-chill vibe" to a more "upbeat, grungy, and mature" tone. This transition is not just an artistic choice but a reflection of her growth as a musician, drawing inspiration from the indie bands of her youth. It signifies a willingness to explore and redefine her identity in an industry that often boxes artists into single genres or sounds.
For Poetri, the music-making process is a conduit for connection. The most rewarding moments come not from the act of creation itself, but from witnessing the impact of her music on listeners. Whether it's fans singing along at concerts or someone sharing how her song became a part of their life's soundtrack, these interactions affirm the unique power of music to accompany and shape our most personal moments.
The influence of artists like Lizzy McAlpine and Zeph, coupled with the inspiration drawn from touring with Lyn Lapid, has enriched Poetri's artistry. These experiences have not only expanded her musical palette but also deepened her appreciation for the collaborative and communal aspects of the music industry.
Touring, for Poetri, extends beyond performances and fan interactions; it encompasses the myriad spontaneous activities that fill the spaces between shows. From golf outings to exploring new cities, these moments of leisure add depth to the touring experience, fostering a sense of camaraderie and adventure.
As Poetri reflects on her career highlights, including the current tour and collaborations with artists like Jackson Wang and Gnash, it's clear that her journey is as much about personal growth as it is about musical evolution. Her bucket list remains a testament to her aspirations, not just for professional milestones but for the continued exploration of sound and self.
For the Taurus people out there, Poetri playfully nominates "Selfish" as their theme song, showcasing her knack for connecting music with the personal traits attributed to astrological signs.
Stephanie Poetri's "Astrologically Illogical" serves as a vibrant reminder that love, much like music, thrives on unpredictability and genuine connection, rather than predetermined compatibility. In an age where algorithms often guide human connections, Poetri's music invites us to embrace the illogical, the spontaneous, and the authentically human elements of our stories.