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Drake and J.Cole’s “First Person Shooter”: A Masterpiece in Modern era

October 25, 2023

The lyrics of “First Person Shooter” are a testament to both artists’ lyrical prowess. The song explores themes of success, legacy, and rivalry in the rap industry...

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They're Not Real? The Rise in Virtual Kpop Groups

October 24, 2023

As virtual technology continues to evolve and we move towards the metaverse future, the K-pop industry has begun delving into all the possibilities...

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Sunmi Becomes the 'Stranger' With New Single

October 23, 2023

After over a year of absence from the Kpop scene, solo artist Sunmi has recently come back with her eighth digital single, “STRANGER.” Co-written by Sunmi...

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EXO Chanyeol Assures That You're 'Good Enough' In New Release

October 23, 2023

EXO’s Chanyeol dropped the highly-anticipated single, ‘Good Enough.’ The comeback was made two and a half years after his latest release (‘Tomorrow’) in 2021...

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Overwatch 2 Hits the Right Notes with LE SSERAFIM Collaboration

October 20, 2023

LE SSERAFIM, a powerhouse in the K-pop industry, is a South Korean girl group formed by Source Music. Comprising five members – Sakura, Chaewon, Yunjin, Kazuha, and Eunchae – the group made...

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Supergroup Boygenius Caps Off Recent Success with EP ‘The Rest’

October 20, 2023

Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks.

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Kid Laroi's Collaboration with BTS’ Jungkook and Central Cee - "Too Much"

October 20, 2023

Recently announcing a collaboration titled “Too Much” to be released with BTS’ Jungkook, as well as Central Cee, it is scheduled to be released on October 20, 2023.‍

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NewJeans Makes K-pop History with 10 Weeks of Billboard Success

October 16, 2023

Just two months ago, NewJeans etched their names in the annals of music history by accomplishing a feat that set the industry abuzz. Their second mini album, “Get Up,” soared to the top of the...

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Peach Pit’s “From 2 to 3” is an Indie Production Masterpiece

October 16, 2023

The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album...

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IVE - Gearing up for “SHOW WHAT I HAVE” World Tour

October 12, 2023

Approaching their two-year debut anniversary, they're kicking off their first world tour, titled “SHOW WHAT I HAVE”. It’s been mentioned that IVE’s first concert is set to embrace the idea...

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BLACKPINK's Jennie's Return: You & Me

October 9, 2023

Recently, Blackpink's Jennie has made a triumphant return with her latest single, "You & Me," released on October 6, 2023, marking her first solo release since the global success of "Solo" in 2018...

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Tale of Us - The Techno Duo's Impression on EDM

October 9, 2023

Tale Of Us are an electronic music duo formed in 2008 consisting of Carmine Conte and Matteo Milleri. Soundscapes produced range from dance floor music to chill ambient soundscapes and abstract...

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Sony Music Slams AI Tech Giants for Unauthorized Use of Stars' Songs

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Sony Music, the world's largest music publisher, has taken a significant stance in the ongoing debate over artificial intelligence (AI) and copyright. Recently, Sony has sent letters to major tech companies, including Google, Microsoft, and OpenAI, demanding transparency regarding the use of its songs to train AI systems. Representing prominent artists like Beyoncé and Adele, Sony Music is prohibiting the unauthorized use of its catalog for AI development or profit. The letters, sent to over 700 firms, express Sony’s suspicion that some companies may already be using its music without permission, emphasizing the company's readiness to enforce its copyrights to the fullest extent permitted by law, including leveraging the forthcoming EU AI Act.

This move by Sony highlights a broader concern within the creative industries about the data used to train AI systems. AI tools, such as chatbots and music generators, rely on vast amounts of data, which often includes copyrighted materials. Sony Music's complaint underscores the need for transparency in how AI systems are trained, particularly when it involves potentially copyrighted content. Google and OpenAI, among others, have developed AI capable of generating music, yet the specifics of the training data remain undisclosed. Sony’s letter demands detailed accounts of any songs used, how they were accessed, the existence and duration of copies made, and the justification for such copies, signaling a push towards more stringent licensing agreements for future use.

The legal landscape surrounding AI and copyright is still evolving, with significant implications for both the technology and creative sectors. In the EU and the US, there is ongoing debate over whether using copyrighted content to train AI constitutes infringement or falls under fair use and temporary copying exceptions. Legal experts, like Nana Nwachukwu from AI ethics firm Saidot, suggest that current EU rules might classify such training as infringement, although exceptions exist for lawful access and public domain content. The forthcoming EU AI Act will enforce stricter documentation and transparency requirements for AI models, potentially reshaping how AI firms utilize copyrighted materials. This issue is also being tested in US courts, with high-profile cases involving authors and musicians challenging the use of their work in AI training. Sony Music’s proactive stance could thus set a precedent for how the music industry navigates the intersection of AI and intellectual property rights.