.png)
August 11, 2025
The Soul Train Awards and Hip-Hop Awards, two cornerstone events celebrating Black music and culture, have been suspended by BET. The news was confirmed by BET CEO Scott Mills in an interview with...
Read more.png)
August 11, 2025
When Memphis rapper GloRilla's October 2024 debut album Glorious, one track left everyone talking; "Rain Down on Me," featuring gospel heavyweights Kirk Franklin, Maverick City Music, Kierra...
Read more.png)
August 11, 2025
When the Kansas City Chiefs' three-peat dreams collapsed at Super Bowl LIX, the real drama wasn't just on the field it was in Travis Kelce's VIP box where Taylor Swift and Machine Gun Kelly were...
Read more.png)
August 10, 2025
In a powerful fusion of music and philanthropy, some of today’s most celebrated artists are stepping onto the stage not just to perform, but to make a difference. Stand Up To Cancer (SU2C) returns...
Read more.png)
August 10, 2025
The Juno Awards are officially recognizing the powerful rise of Latin music in Canada. Starting in 2026, the annual awards ceremony will feature a brand-new category: Latin Music Recording of the...
Read more.png)
August 7, 2025
Read more.png)
August 7, 2025
Guitarist, songwriter, and frontwoman of Covet, Yvette Young, is known for her intricate tapping technique, genre-bending sound, that creates a calm presence. But in a new interview, the math rock...
Read more.png)
August 7, 2025
A June 13, 2025, Baptist News Global article highlights the long-standing conflicts between traditional Black gospel music and contemporary Christian music (CCM), which are exacerbated by racial...
Read more.png)
August 7, 2025
In April 2025, The Who unexpectedly fired long‑time drummer Zak Starkey during a Royal Albert Hall show, reportedly over performance issues. Starkey, son of Beatles legend Ringo Starr, had been...
Read more.png)
August 7, 2025
The 2025 MTV Video Music Award nominations have been announced, boasting a diverse lineup with 33 first-time nominees. Pop icons Taylor Swift and Beyoncé even earned artist of the year nods without...
Read more.png)
August 7, 2025
From church pews in Northampton to crowds in Zimbabwe, DC3 is more than just a popular TikTok artist; he is a devout musician who is setting a new standard for UK rap. Through ingenious videos...
Read more.png)
August 7, 2025
Under the blazing Chicago sun, HYBE’s rising stars KATSEYE and BOYNEXTDOOR didn’t just perform at Lollapalooza—they owned it. From viral on-stage chemistry to career-defining sets, the two groups...
Read more.png)
The Who frontman Roger Daltrey has spoken out about his fallout with drummer Zak Starkey, calling the musician’s post-departure comments “incredibly upsetting.” Starkey, son of Beatles legend Ringo Starr and The Who’s touring drummer since 1996, was dramatically let go from the band earlier this year not once, but twice in quick succession.
While the split itself shocked fans, it’s the conflicting accounts of what went wrong during an April performance at London’s Royal Albert Hall that have kept the story alive.
During the show, the band performed “The Song Is Over,” but something went awry. Longtime Who members Daltrey and Pete Townshend claimed Starkey made a timing error. Starkey, however, saw it differently, telling The Telegraph that poor planning and under-rehearsal were to blame and that it was Daltrey, not him, who came in too early.
“What happened was I got it right and Roger got it wrong,” Starkey stated.
In an interview with The Times, Daltrey dismissed Starkey’s account, saying the misunderstanding stemmed from issues with the band’s use of electronic drums. He explained that in-ear monitoring problems made it difficult for him to “pitch” properly due to excessive sub-bass in the drum mix.
“It was like flying a plane without seeing the horizon,” Daltrey recalled. “So when Zak thought I was having a go at him, I wasn’t. That’s all that happened.”
But Starkey’s public remarks clearly struck a nerve. “It was kind of a character assassination and it was incredibly upsetting,” Daltrey said.
The rift didn’t end there. Starkey was briefly reinstated after the initial fallout, only to be sacked again soon after. Daltrey stressed that, aside from himself and Townshend, “everyone else is a session player” and that “you can’t replace Keith Moon.”
Starkey has described the experience as bewildering, telling The Independent in June that he was advised not to collect his drum kit from storage just yet. “I don’t know what the f*** is happening,” he said, adding that unpredictability is part of The Who’s DNA.
This public back-and-forth shines a light on the volatile nature of long-running rock bands, where personal relationships, artistic control, and live performance pressures often collide. In The Who’s case, it also touches on the delicate balance between preserving the legacy of one of rock’s most iconic groups and embracing the realities of modern touring technology.
Whether this chapter ends in reconciliation or remains a permanent fracture, one thing is clear: even after nearly six decades in the spotlight, The Who’s story continues to be as unpredictable as their music.
.png)
