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Central Cee: The New Voice of British Drill

June 15, 2024

Central Cee, born Oakley Neil H.T. Caesar-Su on June 4, 1998, in Shepherd's Bush, London, has swiftly emerged as one of the most prominent voices in the UK drill scene. With his raw lyricism...

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Preparing for the 11th Dimension: Reflections and New Beginnings

June 15, 2024

Believe it or not, it’s already been a decade since the SoundCloud rap era first ignited, and we’re seeing the lasting impact of the moshpit-dwelling artists who defined the movement...

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AURORA Ponders Life, Death, and the Heart in New Album

June 15, 2024

Norwegian alt-pop sensation AURORA is set to release her highly anticipated fifth album, "What Happened To The Heart?" Following a series of successful projects—2016's "All My Demons Greeting Me....

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Tate McRae: Dancing to the Beat of Her Drum

June 7, 2024

Tate McRae, born on July 1, 2003, in Calgary, Alberta, Canada, has swiftly risen to fame as one of the most exciting young talents in the music industry today...

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Beyoncé's "Cowboy Carter": A Bold Reinvention in Music

June 7, 2024

Beyoncé has once again proven why she is a force to be reckoned with in the music industry with the release of her latest album, "Cowboy Carter."

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Revolutionizing Music Discovery: Spotify and Amazon Launch AI-Powered Playlists

June 7, 2024

In a bold move to redefine how we discover and interact with music, Spotify and Amazon Music have each introduced groundbreaking AI-powered playlist generators...

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Charli XCX admits that she “never really felt accepted” in the British music scene

June 7, 2024

Charli XCX has opened up about her early struggles in the British music scene, revealing that she often felt like an outsider whose innovative ideas were dismissed as "silly or childish."

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Ticketmaster's Data Breach: A Wake-Up Call for Cybersecurity in the Ticketing Industry

June 7, 2024

Ticketmaster, a leading ticket sales and distribution company, is currently under legal scrutiny due to a reported data breach, which has led to a class action complaint...

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Diddy Faces Potential Federal Grand Jury Trial: A Legal Storm Brewing for the Music Mogul

June 7, 2024

Sean 'Diddy' Combs, a prominent figure in the music industry and beyond, is potentially facing a significant legal challenge as reports indicate that the Department of Justice...

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Pop Conference 2024: Discussions on "Legacy, Music Collections, and Archives

June 7, 2024

The Pop Conference 2024 recently convened under the theme "Legacy, Music Collections, and Archives," offering attendees an in-depth exploration of the preservation and impact of musical legacies...

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Why House Music Is So Damn Good!

June 7, 2024

House music, with its infectious beats and feel-good vibes, is more popular than ever, especially among young people. But what makes house music so damn good?...

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Halsey reveals dual health diagnoses, debuts new song The End

June 7, 2024

Halsey has courageously shared her private battle with illness, revealing her journey through a series of Instagram videos that document her receiving medical infusions...

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Peach Pit’s “From 2 to 3” is an Indie Production Masterpiece

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Peach Pit’s third and latest album, “From 2 to 3”, is a perfect example of musicianship as it masterfully executes a combination of the band’s influences with their unique sound. It’s distinctly themselves, and built upon their 2 prior albums of infectious indie pop, filled with relatable lyrics and catchy melodies. Yet it takes on a more fundamental role in establishing their sound through more intimate and tactile recording practices, and this is exactly what the band set out to do before recording the album. 

The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album with not a lot of affected vocals or guitars and if we were going to use effects, we were going to try to use things that were from the 1970s influence of rock ‘n roll.” 

These influences are perfectly complementary to their previously established indie rock sound. Tracks such as ‘Up Granville’ and ‘Pepsi on the House’ have the energetic aura and riffing guitars which defined their previous albums. Yet the album is especially elevated by tracks such as ‘Vickie’, ‘Look Out!’, and ‘Last Days of Lonesome’, which feature acoustic guitar-driven instrumentals and mellow vocals. The latter two tracks even feature little to no drums or bass guitar, opting to put their lyrics and melodies at the forefront which amplifies the folk-influenced atmosphere. 

One thing that listeners will pick up on is how noticeably intimate the listening experience is. Not only through tender instrumentals, but with the more subtle conveyance of mature lyrical themes. No song exemplifies this better than the title track, which sees the lead singer, Neil wake up from a dream about his ex-girlfriend. It’s a mellow track with haunting undertones, and serves as a perfect way to cap off the album. What makes the lyrical content so infectious is not only the relatability, but how it feels tactile, dynamic, and right in front of you. These elements are nurtured by Neil’s songwriting habits, as he cites in an interview with Range that he wrote ‘From 2 to 3’ right after actually waking up from his dream, which explains why the imagery it portrays is so fresh and vivid. 

“From 2 to 3” feels both like a product of skilled musicians, and a bunch of friends jamming together in a tightly organized package. While the album is more bare-bones than their previous efforts– omitting many background sounds that made “You and Your Friends” a progressive album for the genre, it allows them to experiment with sounds and lyrical themes that were previously untapped. And for that, Peach Pit is able to capture the charming essence of indie music while maturing their sound to a more creative and polished state which reflects their growth and talent as musicians.