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Thrash Metal - An Aging Genre

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The thrash metal genre emerged in the early 1980s. Characterized by intricate guitar use, lightning-fast tempos, and its overall bold, aggressive themes, thrash was groundbreaking and quickly became..

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Travis Scott’s Telekinesis

October 27, 2023

Travis Scott, the Houston-born hip-hop sensation, has taken the world by storm with his innovative soundscapes and boundary-pushing creativity. His latest single, "Telekinesis”...

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Drake and J.Cole’s “First Person Shooter”: A Masterpiece in Modern era

October 25, 2023

The lyrics of “First Person Shooter” are a testament to both artists’ lyrical prowess. The song explores themes of success, legacy, and rivalry in the rap industry...

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They're Not Real? The Rise in Virtual Kpop Groups

October 24, 2023

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Sunmi Becomes the 'Stranger' With New Single

October 23, 2023

After over a year of absence from the Kpop scene, solo artist Sunmi has recently come back with her eighth digital single, “STRANGER.” Co-written by Sunmi...

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EXO Chanyeol Assures That You're 'Good Enough' In New Release

October 23, 2023

EXO’s Chanyeol dropped the highly-anticipated single, ‘Good Enough.’ The comeback was made two and a half years after his latest release (‘Tomorrow’) in 2021...

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Overwatch 2 Hits the Right Notes with LE SSERAFIM Collaboration

October 20, 2023

LE SSERAFIM, a powerhouse in the K-pop industry, is a South Korean girl group formed by Source Music. Comprising five members – Sakura, Chaewon, Yunjin, Kazuha, and Eunchae – the group made...

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Supergroup Boygenius Caps Off Recent Success with EP ‘The Rest’

October 20, 2023

Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks.

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Kid Laroi's Collaboration with BTS’ Jungkook and Central Cee - "Too Much"

October 20, 2023

Recently announcing a collaboration titled “Too Much” to be released with BTS’ Jungkook, as well as Central Cee, it is scheduled to be released on October 20, 2023.‍

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NewJeans Makes K-pop History with 10 Weeks of Billboard Success

October 16, 2023

Just two months ago, NewJeans etched their names in the annals of music history by accomplishing a feat that set the industry abuzz. Their second mini album, “Get Up,” soared to the top of the...

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Peach Pit’s “From 2 to 3” is an Indie Production Masterpiece

October 16, 2023

The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album...

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IVE - Gearing up for “SHOW WHAT I HAVE” World Tour

October 12, 2023

Approaching their two-year debut anniversary, they're kicking off their first world tour, titled “SHOW WHAT I HAVE”. It’s been mentioned that IVE’s first concert is set to embrace the idea...

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Musicians Push Back on Dwindling Payments from Streaming Services

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The rise of streaming platforms has fundamentally reshaped the music industry, offering convenience and accessibility to millions of listeners. However, for many musicians, the rapid growth of services like Spotify, Apple Music, and YouTube has brought with it an unfortunate downside: a significant decline in revenue. As streaming continues to dominate the way people consume music, artists are pushing back against the diminishing payments they receive, calling attention to the unsustainable business model that puts their livelihood at risk.

The Struggle for Fair Compensation

For years, musicians have relied on physical album sales and live performances to generate income. In the streaming era, however, the payment structure has changed, with artists receiving mere fractions of a penny per stream. According to a recent study, the average artist earns just $0.003 per stream on platforms like Spotify. This payment model has sparked frustration among musicians, who argue that the current system is not equitable and disproportionately benefits the platforms and record labels while leaving the artists who create the content struggling to make ends meet.

Tori Amos, a Grammy nominated artist and advocate for musician rights, recently expressed her concerns about the streaming payment structure. “We’re talking about pennies per stream, and it just doesn’t add up. It’s a system that’s broken for those of us who are actually creating the music," Amos said. She, along with other musicians, is pushing for more transparent and fair payment models that better compensate the creators at the heart of the industry.

A Call for Change

The decline in streaming revenue has led to a growing movement among musicians who are demanding that streaming services provide more equitable compensation. Advocates are pushing for changes to the per stream payment model, urging platforms to increase the payouts to artists and restructure payment systems so they are more reflective of the artists’ contributions. Some musicians are even exploring new methods to bypass traditional platforms altogether, such as turning to direct fan subscriptions or blockchain based systems to take control of their revenue streams.

Rufus Wainwright, an internationally acclaimed singer songwriter, is vocal about the challenges artists face in the streaming world. "The way it works now, artists don’t see the rewards they deserve. We need more sustainable revenue streams," Wainwright said during a recent panel discussion on the issue.

The Industry’s Response

Streaming services have acknowledged the ongoing debate and some are beginning to make changes. Platforms like Spotify and Apple Music have experimented with various ways to increase payouts, including offering higher royalty rates for premium subscribers and launching features that allow fans to directly support artists. However, critics argue that these changes have yet to make a substantial impact on the lives of most musicians, especially those who don’t have the massive followings of superstars.

Daniel Ek, the CEO of Spotify, defended the company’s payment model in a public interview, claiming that streaming services provide musicians with valuable exposure that leads to other revenue streams such as concert sales and merchandise. Yet, the growing backlash from musicians indicates that many feel these promises of exposure aren’t enough to sustain their careers.

Exploring New Solutions

As the debate continues, some experts suggest that a comprehensive overhaul of the streaming model is necessary. One proposed solution is the implementation of a “user-centric payment system,” where subscribers’ monthly fees are directly distributed to the artists they listen to most. This model could potentially offer a more fair and personalized payment structure, ensuring that artists are compensated according to the actual listening habits of their fans.

Imogen Heap, an innovator in the music tech space, is championing this idea, stating that such a shift could restore more control to artists over their income. Heap has been experimenting with blockchain technology to help musicians receive fair compensation for their work, offering a glimpse into potential future solutions for the industry.

The Road Ahead

The fight for better compensation is far from over, and as musicians continue to push back against dwindling payments from streaming services, the conversation around fair pay in the music industry is becoming increasingly urgent. While streaming has revolutionized music access and made it easier for fans to discover new artists, it’s clear that the current system is not sustainable for many creators.

As this issue continues to gain traction, the hope is that industry leaders, streaming services, and artists can come together to create a more balanced and fair system one where the artists who make the music are compensated appropriately for their work. Until then, the debate over streaming royalties will remain a critical conversation within the music industry.