July 30, 2025
In a surprising twist, the Demon Hunter K-pop soundtrack has claimed the top spot on the UK charts, reflecting the growing influence of the genre beyond its South Korean origins. Meanwhile, the...
Read moreJuly 30, 2025
This week's noteworthy tale: The 1962 B-side song "Pretty Little Baby," a decades-old deep cut by pop icon Connie Francis, has gone viral on TikTok, exposing a new generation to a voice from the...
Read moreJuly 30, 2025
You’ve heard it. You’ve seen it. You’ve probably tried (and failed) to hit that head flick without dislocating something. Yes, we’re talking about the “Supernova Love” trend, the latest...
Read moreJuly 30, 2025
First, he gave us heartbreak. Then he gave us the high notes. Now, The Weeknd is giving world tour energy and yes, it’s cinematic, chaotic, and somehow still deeply romantic. From House of Balloons...
Read moreJuly 30, 2025
There’s always that one song. The one that hits the speakers, and suddenly everyone’s doing choreography they didn’t know they knew. That song, right now, is “Rock Your Body Now.” It didn’t just...
Read moreJuly 30, 2025
When JENNIE released “Like JENNIE,” it wasn’t just a comeback, it was a lesson in effortless power. Soft but sharp, understated but unforgettable, the track doesn’t ask for attention. It just...
Read moreJuly 30, 2025
He’s mysterious. He’s moody. He disappears for years and then shows up like nothing happened with bangers. Yes, Bryson Tiller is officially on a world tour, and if you’ve ever whispered...
Read moreJuly 27, 2025
The Elevator Boys, Jacob, Julien, Bene, Tim, and Luis, just dropped “California”, their most personal track to date. They are well-known for their charm and choreography, but this time they..
Read moreJuly 27, 2025
Drake has done it again, dropping a new track that has sent fans into a frenzy. This time, the Canadian rap icon has teamed up with UK artist Central Cee for a collaboration that blends their...
Read moreJuly 27, 2025
A distinctive new release is bringing people from different generations and places together in a music world that has been altered by technology upheavals and cultural differences. The 59-year-old...
Read moreJuly 27, 2025
The psychedelic music project led by Kevin Parker debuts first track since 2020's The Slow Rush. Australian musician Kevin Parker has unveiled "End of Summer," the first new Tame Impala single in...
Read moreJuly 27, 2025
The experimental rock group Xiu Xiu formally declared that they would be removing their music from Spotify in response to the platform's investment in artificial intelligence (AI)-powered combat...
Read morePhoto Source: Billboard.com
The Weeknd and Taylor Swift are the two most-streamed artists on Spotify right now, and this is not a recent trend. Rather, they’ve remained music figureheads for the better part of the last decade. So how have the two superstars managed to stay dominant in the industry throughout their long careers? The answer lies within their artist direction– they both have the ability to evolve their songwriting and production styles which allows them to stay fresh while maintaining their identity in their music.
The Weeknd is currently enjoying a world tour following his recent release, ‘Dawn FM’, a synthpop-inspired record in which the artist flaunts his singing talents and engaging presence with hip hop collaborators such as Lil Wayne and Tyler, the Creator. What long-time fans are sure to notice is the drastic difference between his current melodic synth sound and the intense raw RnB dronings of his early mixtapes. This gradual shift towards an accessible pop sound started in collaboration with Max Martin, the veteran songwriter and producer behind singles such as “I Can’t Feel My Face” and “Blinding Lights”.
Martin only opened the gateway for The Weeknd to experiment with synthpop as he further collaborated with the likes of Daft Punk, Metro Boomin, and Swedish House Mafia. This willingness to collaborate with veteran artists allows him to explore new reaches while remaining polished and exciting on his initial attempts, and his distinctive voice and presence reinforces his musical identity as he experiments throughout his career.
Almost in Parallel, Taylor Swift is busy with a world tour which celebrates just how malleable she is as an artist. The theme of ‘Eras’ is supported by her long career which has seen a distinct change of her sound between almost every album. Coming off of a third country album, Swift released ‘Red’ in 2014, which featured a handful of pop tunes including “I Knew You Were Trouble”, to go alongside her established country sound in tracks like “Begin Again”. Though this was a litmus test for fans, it hinted at her trajectory towards a full pop expedition from ‘1989’ to her more recent release, ‘Midnights’.
This shift was welcomed by audiences– which can be partly attributed to Swift’s collaboration with Max Martin as well, who helped create her early pop tracks. More recent works, ‘Folklore’ and ‘Evermore’ highlight Swift’s genre-transcending curiosity as she collaborated with Justin Vernon of Bon Iver, and Aaron Dessner of The National, to deliver a more subdued folk sound with Swift’s familiar voice and story-like lyricism. The support from Vernon and Dessner is what makes this album a fresh aesthetic which has become synonymous with the artists, and Swift’s enthralling presence and genuine passion for music is why it works.
So what can we learn from shifts in the careers of Swift and The Weeknd? That passion and curiosity are noticeable and conducive to lengthy careers in music. Swift and The Weeknd both have the presence and eagerness to seek out new collaborations, even at their peaks of being the most popular artists in the world. And this allows their new releases to not only feel fresh and refined, but a genuine development of their previous efforts. While new artists are rarely concerned with how their careers might evolve over decades, Swift and the Weeknd stand as examples on how careful planning and passion can provide a music career with longevity.