August 21, 2025
On September 16, the masked metal phenomenon Sleep Token will embark on their 2025 "Even In Arcadia Tour" across North America. The 18-show tour, which includes a huge date at Brooklyn's Barclays...
Read moreAugust 21, 2025
Due to a line dance that went viral and won over fans' hearts both inside and outside of the United States, 22-year-old Tre Little's song "Boots on the Ground" has become a cultural sensation this...
Read moreAugust 21, 2025
In addition to preparing for her next album, The Life of a Showgirl, Taylor Swift is reviving the physical medium this week by putting her songs on cassette tapes. This sentimental action...
Read moreAugust 21, 2025
Cardi B is officially back in album mode. On Friday, the rap superstar released her new single “Imaginary Playerz,” a bold track that samples Jay-Z’s classic “Imaginary Player.” The release comes...
Read moreAugust 21, 2025
Gary Oldman opened up about his decades-long friendship with the late David Bowie, calling the world a very different place since the music icon’s death in January 2016. In a heartfelt interview...
Read moreAugust 21, 2025
The Queen of Pop just proved she's still the ultimate trendsetter even when it comes to birthday cakes. Madonna rang in her 67th birthday with a luxurious Italian getaway capped off by an enormous...
Read moreAugust 20, 2025
Former Little Mix star Jade Thirlwall isn't mincing words about artists who avoid political engagement, specifically calling out The 1975's Matty Healy for what she sees as a privileged stance. In...
Read moreAugust 20, 2025
PinkPantheress has once again cracked the code of Gen Z’s collective brain chemistry with her track Illegal. It’s short, it’s addictive, and it’s the kind of song that makes you feel like you’re...
Read moreAugust 20, 2025
Conan Gray has never been shy about writing songs that feel like reading your high school diary at 2 a.m. with the lights off. But with Caramel, he’s gone full Willy Wonka heartbreak mode. It’s...
Read moreAugust 20, 2025
PinkPantheress has always had a gift for making music that feels like it was recorded inside your daydreams, half diary entry, half late-night Tumblr scroll. With Romeo, she’s taken that talent and...
Read moreAugust 20, 2025
Every so often, a song arrives that feels less like a single and more like a cinematic event. LISA’s latest release, DREAM featuring Japanese actor and heartthrob Kentaro Sakaguchi, is exactly that...
Read moreAugust 20, 2025
If Cardi B has taught us anything, it’s that she doesn’t just rap, she throws down verbal haymakers wrapped in couture and glitter. Her new joint, “Imaginary Playerz,” is a full-on drag session for...
Read morePhoto Source: Billboard.com
The Weeknd and Taylor Swift are the two most-streamed artists on Spotify right now, and this is not a recent trend. Rather, they’ve remained music figureheads for the better part of the last decade. So how have the two superstars managed to stay dominant in the industry throughout their long careers? The answer lies within their artist direction– they both have the ability to evolve their songwriting and production styles which allows them to stay fresh while maintaining their identity in their music.
The Weeknd is currently enjoying a world tour following his recent release, ‘Dawn FM’, a synthpop-inspired record in which the artist flaunts his singing talents and engaging presence with hip hop collaborators such as Lil Wayne and Tyler, the Creator. What long-time fans are sure to notice is the drastic difference between his current melodic synth sound and the intense raw RnB dronings of his early mixtapes. This gradual shift towards an accessible pop sound started in collaboration with Max Martin, the veteran songwriter and producer behind singles such as “I Can’t Feel My Face” and “Blinding Lights”.
Martin only opened the gateway for The Weeknd to experiment with synthpop as he further collaborated with the likes of Daft Punk, Metro Boomin, and Swedish House Mafia. This willingness to collaborate with veteran artists allows him to explore new reaches while remaining polished and exciting on his initial attempts, and his distinctive voice and presence reinforces his musical identity as he experiments throughout his career.
Almost in Parallel, Taylor Swift is busy with a world tour which celebrates just how malleable she is as an artist. The theme of ‘Eras’ is supported by her long career which has seen a distinct change of her sound between almost every album. Coming off of a third country album, Swift released ‘Red’ in 2014, which featured a handful of pop tunes including “I Knew You Were Trouble”, to go alongside her established country sound in tracks like “Begin Again”. Though this was a litmus test for fans, it hinted at her trajectory towards a full pop expedition from ‘1989’ to her more recent release, ‘Midnights’.
This shift was welcomed by audiences– which can be partly attributed to Swift’s collaboration with Max Martin as well, who helped create her early pop tracks. More recent works, ‘Folklore’ and ‘Evermore’ highlight Swift’s genre-transcending curiosity as she collaborated with Justin Vernon of Bon Iver, and Aaron Dessner of The National, to deliver a more subdued folk sound with Swift’s familiar voice and story-like lyricism. The support from Vernon and Dessner is what makes this album a fresh aesthetic which has become synonymous with the artists, and Swift’s enthralling presence and genuine passion for music is why it works.
So what can we learn from shifts in the careers of Swift and The Weeknd? That passion and curiosity are noticeable and conducive to lengthy careers in music. Swift and The Weeknd both have the presence and eagerness to seek out new collaborations, even at their peaks of being the most popular artists in the world. And this allows their new releases to not only feel fresh and refined, but a genuine development of their previous efforts. While new artists are rarely concerned with how their careers might evolve over decades, Swift and the Weeknd stand as examples on how careful planning and passion can provide a music career with longevity.