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The thrash metal genre emerged in the early 1980s. Characterized by intricate guitar use, lightning-fast tempos, and its overall bold, aggressive themes, thrash was groundbreaking and quickly became..
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October 27, 2023
Travis Scott, the Houston-born hip-hop sensation, has taken the world by storm with his innovative soundscapes and boundary-pushing creativity. His latest single, "Telekinesis”...
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October 25, 2023
The lyrics of “First Person Shooter” are a testament to both artists’ lyrical prowess. The song explores themes of success, legacy, and rivalry in the rap industry...
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October 24, 2023
As virtual technology continues to evolve and we move towards the metaverse future, the K-pop industry has begun delving into all the possibilities...
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October 23, 2023
After over a year of absence from the Kpop scene, solo artist Sunmi has recently come back with her eighth digital single, “STRANGER.” Co-written by Sunmi...
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October 23, 2023
EXO’s Chanyeol dropped the highly-anticipated single, ‘Good Enough.’ The comeback was made two and a half years after his latest release (‘Tomorrow’) in 2021...
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October 20, 2023
LE SSERAFIM, a powerhouse in the K-pop industry, is a South Korean girl group formed by Source Music. Comprising five members – Sakura, Chaewon, Yunjin, Kazuha, and Eunchae – the group made...
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October 20, 2023
Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks.
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October 20, 2023
Recently announcing a collaboration titled “Too Much” to be released with BTS’ Jungkook, as well as Central Cee, it is scheduled to be released on October 20, 2023.
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October 16, 2023
Just two months ago, NewJeans etched their names in the annals of music history by accomplishing a feat that set the industry abuzz. Their second mini album, “Get Up,” soared to the top of the...
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October 16, 2023
The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album...
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October 12, 2023
Approaching their two-year debut anniversary, they're kicking off their first world tour, titled “SHOW WHAT I HAVE”. It’s been mentioned that IVE’s first concert is set to embrace the idea...
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FINNEAS O’Connell has had an extraordinary few years. At just 27, the singer-songwriter and producer has become a prominent figure in the music world, largely thanks to his collaboration with his younger sister, pop sensation Billie Eilish. Together, the duo has amassed a staggering collection of accolades, including Grammy Awards, Golden Globes, and even two Academy Awards for Best Original Song. Despite these achievements, if you asked the average pop listener, "Who is FINNEAS?" you might still be met with blank stares—a surprising response given his undeniable talent and influence.
This underappreciation seems particularly unjust when considering O’Connell’s remarkable ability to craft emotionally resonant, hook-filled songs. His work has been showcased not only in Eilish’s hits but also in his solo projects, including the EP *Blood Harmony* and his debut studio album *Optimist*. The latter was praised for its introspective lyricism and unique production, earning positive reviews from critics. However, in hindsight, *Optimist* feels like a product of its time, with its electronic bedroom-pop aesthetic now somewhat dated in a post-pandemic musical landscape.
Even O’Connell himself acknowledges the album’s limitations. In a Rolling Stone interview for Billie Eilish’s cover story, he admitted he did an “OK job” but felt isolated while solo-producing the project. This isolation, he believes, hindered his ability to achieve the best possible sound. “I was lonely while making it,” he confessed, explaining how this realization pushed him to adopt a more collaborative approach for his future work. “I’ve made a point to be hyper-collaborative. Fortunately, most of my friends are producers,” he added.
The result of this evolution is his latest album, *For Cryin’ Out Loud*. The 10-track LP, clocking in at just 40 minutes, strikes a balance between his signature lovesick ballads and a more polished, dynamic sound. It offers something for both his core audience of introspective twenty-somethings and a broader, alternative-leaning fanbase.
The title track encapsulates FINNEAS’s knack for blending heartfelt lyricism with dramatic visuals. In the accompanying music video, he sings, “For cryin’ out loud / I’m calling your name / You’re wearing me out / But I love you the same,” while enduring a series of surreal, symbolic mishaps—falling down an elevator shaft, getting hit by a car, and having his hands sliced open. This theatricality underscores the emotional weight of the song, drawing listeners into his world of infatuation and romantic turmoil.
The album’s emotional depth extends beyond its title track. “Family Feud” is a poignant ode to his sister Billie, reflecting the perspective of an older sibling navigating the challenges of fame alongside a beloved family member. “And you’re only twenty-two / And the world is watching you / Judging everything you do,” he sings tenderly, recalling their shared childhood and expressing his protective instincts as she faces the harsh glare of the public eye.
While *For Cryin’ Out Loud* may not have the boundary-pushing audacity of some of his contemporaries’ work, it feels purposeful and cohesive—a clear step forward from *Optimist*. If his debut album served as a snapshot of his early potential, this record lays the groundwork for FINNEAS’s evolution as an artist. It reveals a newfound confidence, both artistically and emotionally, and a willingness to embrace growth while staying true to the essence of his musical identity.
For FINNEAS, *For Cryin’ Out Loud* is more than just a collection of songs—it’s a testament to his artistic journey, a blend of reflection and reinvention that points toward an exciting future. As he continues to refine his craft, it’s clear he’s not just Billie Eilish’s brother and collaborator; he’s an artist in his own right, carving out a legacy that’s entirely his own.