
November 16, 2023
The thrash metal genre emerged in the early 1980s. Characterized by intricate guitar use, lightning-fast tempos, and its overall bold, aggressive themes, thrash was groundbreaking and quickly became..
Read more.png)
October 27, 2023
Travis Scott, the Houston-born hip-hop sensation, has taken the world by storm with his innovative soundscapes and boundary-pushing creativity. His latest single, "Telekinesis”...
Read more.png)
October 25, 2023
The lyrics of “First Person Shooter” are a testament to both artists’ lyrical prowess. The song explores themes of success, legacy, and rivalry in the rap industry...
Read more
October 24, 2023
As virtual technology continues to evolve and we move towards the metaverse future, the K-pop industry has begun delving into all the possibilities...
Read more
October 23, 2023
After over a year of absence from the Kpop scene, solo artist Sunmi has recently come back with her eighth digital single, “STRANGER.” Co-written by Sunmi...
Read more
October 23, 2023
EXO’s Chanyeol dropped the highly-anticipated single, ‘Good Enough.’ The comeback was made two and a half years after his latest release (‘Tomorrow’) in 2021...
Read more
October 20, 2023
LE SSERAFIM, a powerhouse in the K-pop industry, is a South Korean girl group formed by Source Music. Comprising five members – Sakura, Chaewon, Yunjin, Kazuha, and Eunchae – the group made...
Read more
October 20, 2023
Boygenius, one of music’s latest supergroups consisting of Phoebe Bridgers, Lucy Dacus, and Julien Baker, has just dropped a new EP with 4 tracks.
Read more
October 20, 2023
Recently announcing a collaboration titled “Too Much” to be released with BTS’ Jungkook, as well as Central Cee, it is scheduled to be released on October 20, 2023.
Read more
October 16, 2023
Just two months ago, NewJeans etched their names in the annals of music history by accomplishing a feat that set the industry abuzz. Their second mini album, “Get Up,” soared to the top of the...
Read more
October 16, 2023
The album was heavily influenced by 1970s rock and folk music, as frontman Neil Smith tells Monday Magazine: “We just decided we wanted to have a very natural-sounding album...
Read more
October 12, 2023
Approaching their two-year debut anniversary, they're kicking off their first world tour, titled “SHOW WHAT I HAVE”. It’s been mentioned that IVE’s first concert is set to embrace the idea...
Read more.png)
Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.
In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.
"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.
Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.
Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.
For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.
Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.
Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.
Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.
Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.
Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.