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Master Your Craft as a Beatmaker: The J Dilla Way

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Bumbershoot Festival 2024: A Creative Celebration in Seattle

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This Labor Day weekend, Bumbershoot Arts and Music Festival returns to Seattle Center from August 31 to September 1, 2024. With a rich history spanning over 50 years, Bumbershoot continues to be a...

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Ohana Festival 2024: A Must-Attend Event for Music Creators

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As the summer winds down and the crisp autumn air begins to roll in, music enthusiasts are eagerly anticipating one of California’s premier music festivals. The Ohana Festival, set to take place...

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Desert Daze 2024: A Creative Oasis for Music Enthusiasts

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As the vibrant hues of summer give way to the golden tones of fall, the anticipation for one of California’s most eclectic music festivals begins to build. This October, the 2024 Desert Daze music...

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How to Create a Joyful Song Like "Happy" by Pharrell Williams

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Creating a song that radiates joy and energy, much like Pharrell Williams' hit "Happy," is an exciting challenge for any music creator. Whether you're a seasoned producer or just starting out...

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Why Nas' Illmatic Deserves the Top Spot: Rap Lyricism at its Finest

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Nas’ debut album, Illmatic, has been crowned the greatest rap album of all time by Billboard, and for good reason. Celebrated for its lyrical brilliance and profound storytelling, Illmatic set...

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How to Create a Viral Chart-Topping Song Like Tommy Richman's "Million Dollar Baby"

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Crafting Music Like Jeff Bhasker: A Guide for Aspiring Music Creators

July 2, 2024

Jeff Bhasker is a legendary figure in the music industry, celebrated for his outstanding contributions as a producer, songwriter, and multi-instrumentalist. His Grammy-winning career has seen...

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The Magic of K-pop: Insights from "Song Machine: Inside the Hit Factory"

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In the ever-evolving world of pop music, K-pop has emerged as a global powerhouse, captivating audiences with its unique sound and stunning visuals. John Seabrook’s book, "Song Machine: Inside the...

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Blackpink’s Lisa Dominates iTunes with New Single ‘Rockstar’

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Music enthusiasts and aspiring creators, take note! Blackpink’s Lisa is making waves in the U.S. with her latest single, "Rockstar." Released late on Thursday, June 27, the song quickly shot up the...

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Unlocking the Secrets of Pop Hits: Insights from "Song Machine: Inside the Hit Factory"

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Have you ever wondered what makes a pop song stick in your head, or how some artists consistently produce hit after hit? John Seabrook's "Song Machine: Inside the Hit Factory" pulls back the...

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TWICE’s Nayeon on Solo Debut, Songwriting, and Spoilers: Insights for Aspiring Music Creators

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As the eldest member of the global K-pop group TWICE, Im Nayeon embodies big sister energy: she's protective, loving, and playful. Her playful nature sometimes leads to spoilers, much to the...

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Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”

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Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music industry. In a candid interview, Marten revealed that while superstars like Taylor Swift rake in massive revenue from streaming and album sales, the majority of musicians are dealing with financial ruin.

"Most Artists Are in Financial Ruin"

In her interview, Marten discussed the significant disparities within the music industry, pointing out how the vast majority of musicians are unable to earn a sustainable income from their work. Despite the global popularity of platforms like Spotify and Apple Music, the revenue they generate for most artists is minimal at best. Marten expressed her frustration with the industry’s financial structure, which she believes benefits a select few while leaving many talented musicians struggling to make ends meet.

"Most artists are in financial ruin," Marten said. "We’re all paying Taylor Swift. These streaming services pay her so much, and she deserves it, but I think it highlights just how broken the system is for the rest of us." Marten’s comments reflect the broader issues many emerging and mid-level artists face, as the current streaming model provides only a tiny fraction of a penny per play.

Taylor Swift’s Streaming Success

Marten’s remarks on Taylor Swift’s dominance in the industry aren’t meant to diminish Swift’s success but rather to point out the stark contrast between what top-tier artists like Swift can earn compared to independent or lesser-known musicians. Swift, who has a massive global fanbase and a successful touring career, has been one of the few artists able to thrive under the current streaming model, securing lucrative deals and partnerships that contribute significantly to her earnings.

Swift's success has also led to higher payouts for her and other big names in the industry. As a result, it’s led to greater visibility for her work, including exclusive deals with streaming platforms and record-breaking sales. However, for many other artists, these opportunities are out of reach, leaving them struggling to survive financially.

A Broken System for Emerging Artists

For emerging artists like Marten, the financial model often seems unsustainable. Despite releasing critically acclaimed music and maintaining a loyal fanbase, Marten, like many others, has seen little financial reward for her efforts. Live performances, merchandise sales, and brand partnerships often serve as the primary income streams for many artists, but even those can be inconsistent.

Marten pointed out the paradox of the modern music industry, where visibility and talent often don’t translate into fair compensation. “It’s not about being good anymore. It’s about how many people are listening to you, how much attention you can grab, and how much money can be made from you,” she added.

Calls for Industry Reform

Marten's comments are part of a larger conversation about the need for industry reform, particularly in how streaming platforms pay artists. Critics of the current system have long argued that it’s skewed in favor of the largest platforms and record labels, leaving smaller artists to fend for themselves.

Several proposals have been floated to address these issues, such as the user-centric payment model, where royalties would be distributed more fairly based on individual listening habits rather than the current pro-rata system, where the overall revenue is shared among all artists based on total plays.

The Future of the Music Industry

Despite the challenges, Marten remains hopeful for change. Her call for financial equity in the music industry reflects the growing sentiment among many musicians who are demanding fairer compensation for their work. As the conversation about streaming royalties and artist compensation continues to gain momentum, it’s clear that more reform is needed to create a more equitable system for all artists, not just the superstars.

Marten’s willingness to speak out about these issues is part of a larger movement among artists and industry professionals who are advocating for a shift in how the music business operates. Whether or not these calls for change will lead to tangible reforms remains to be seen, but for now, the struggle for fair compensation continues.

Billie Marten: “Mostly, artists are in financial ruin – we’re all paying Taylor Swift”billie-marten-mostly-artists-are-in-financial-ruin---were-all-paying-taylor-swiftMuhammad SiddiquiJul 30, 2025Billie Marten, the British singer-songwriter known for her hauntingly beautiful folk-inspired music, has recently shared her thoughts on the financial struggles many artists face in today’s music...